Well, by about now, two years after my last post, I think the community has pretty much figured out that my blog is on extended hiatus. I fully and humbly apologize to anyone who is even really following this blog. After starting school again and falling into a new career, I've had little time to worry about whether or not my blog was being updated. After all, I don't even know if anyone is really reading this anyway and so it became my last priority.
But with a new chapter in my life beginning, between work and a new level of otaku-ism, the life of Ani, the weblogger will continue.
I make no promises in the area of anime or manga, but my motivation has returned, I assure everyone (population = 0?). Except that I have expanded my obsessions and have also decided to incorporate other items into my blogging life.
Presenting to the community a new side of me will be a whole new blog:
anicabyss' - drama zone
Take it or leave it, but it will be a whole new start, and who knows, I might even be motivated enough to start blogging anime and manga all over again as I still have several pre-written posts that still need to be presented to the readers.
Anyway, the official launch will be coming soon and my lists and whatnot and priorities have changed. And this blog needs a new picture anyway.
Saturday, July 9, 2011
Saturday, February 7, 2009
thoughts: Seishun no Tamago (manga)
Creator: Nakahara Aya
Genre: comedy, drama, romance, slice of life, shoujo
Volumes/Chapters: 5 oneshot stories
Story 1: Spring Egg
Chika-chan's mother owns a lodging house for college students. The first to come live with them was a boy named Fujimori Tomohiro and since then, it has been love for Chika-chan. Unfortunately, Chika had to learn early on that Tomohiro had no interest in her at all when her mother makes him sign a contract saying that he'll never go after Chika. Not only did he sign the contract, but he also commented that it would never happen.
It has been a year since Tomohiro moved in and three other college students also are lodging with Chika's family. While their relationship is quite close, Tomohiro consistently treats Chika like she's just a little child; even though he knows that she has feelings for him, he openly rejects her time and time again, always calling her "just the lodging house's little brat," in front of others.
After openly offering herself to Tomohiro one night when they are alone at home, he doesn't even show any sign of being moved. Chika is finally set on giving up this one-sided relationship.
Story2: Sunflower Girl
Misaki has a crush on Kurita Kenji and in order to see him all the time, she purposefully eats sweets and junk food to give herself cavities. Kuri's family owns a dental office and upon going in, Kuri is always there hitting on the young girls jokingly or teasing Misaki. Due to summer break approaching, all the girls have the same idea of confessing to the guy they like before they separate and Misaki is encouraged to do the same by writing a letter. Unfortunately, a junior student is also interested in Kuri and has the same idea, beating Misaki to her confession.
In a fit of frustration, Misaki exclaims that she does not like Kuri and even refuses to go to his dental office even though her tooth aches. Realizing that she has been cowardly, the next time she sees Kuri, she breaks down into tears because of her toothache only to learn that Kuri has also liked her as well.
Story 3: Happiness Faces South!
Bon-chan is the type of guy who everyone adores because of a "magic" he creates when socializing. Bon-chan wears untrendy clothes and is extremely cheerful almost all of the time. And Bon-chan fell in love with Sakura at first sight after watching her hit an outstanding homerun even though she was dizzy with sickness from a cold. He later learns that Sakura is the younger sister of a renown beauty at his college.
Sakura had been in love with her sensei from softball and had recently learned that he got himself a girlfriend. Because of this, she got sick and while nursing herself back to health learns that her sister had just gotten a boyfriend. And then Bon-chan shows up and immediately attaches himself to Sakura, claiming that he likes Sakura the most.
But as Sakura begins to fall for Bon-chan's charms after his efforts to chase after her, she knows that she is no beauty compared to her sister. She overhears a few of their mutual friends gossiping that Bon-chan couldn't possible like Sakura and that he might be using her to get to the older sister instead. This occurs not too long after Sakura learns that her sensei and her sister were dating and she is not surprised because in the end, everyone falls for her sister anyway.
But Bon-chan gave his word that he would only look at Sakura and that it was Sakura whom he liked.
Story 4: Prince and I
Mari-chan's neighbor is a boy named Kaoru who is a year younger than her and he does not know how to ride a bike. Ever since she'd met him, she has liked him, and the two are always together, but not as a dating couple. Feeling depressed because even the elementary school kid has a girlfriend, Mari is ecstatic when Kaoru asks her to go to the planetarium with him after she mentions wanting to see it.
But when Kawase-senpai tells Mari that he likes her and wants to go out with her, jealousy takes over and Kaoru tells Mari to go with Kawase instead. After all, Mari had just twisted her ankle and Kaoru wouldn't be able to transport her home on a bike, so it was only right, right? But because of this, Mari has lost hope that Kaoru might care about her.
Story 5: 2 Block Honey
Satoshi and Micchan have been dating for at least a year, but back then, the two matched like such a nice couple. A year into the present, Micchan towers over her boyfriend by at least six centimeters and when she puts on another six centimeters worth of high heels, she is twelve centimeters much taller. And sadly, this affects Satoshi's thinking because he doesn't like that he's so much shorter than his "use to be cute" girlfriend.
Because of this, Satoshi has become irritated to the point that he wants to break up with her if she ever goes out with him in high heels again. But during the date to determine their status, all of the fates are against them when Micchan shows up in the only pair of shoes she can find, the six centimeter heels. They go on their date anyway, but when someone mistakens them for older sister and younger brother, Satoshi decides to end their relationship because of his pride.
Story 6: Spring, Air, Sunday
Sumito died not shortly after getting an agreement from his crush Risa to go on a date with him. At his funeral, his ghost sees Risa who is crying. And then he sees Haruno, his friend who can see him for some reason. Uncaring and cold, Haruno tells Sumito to leave and quit bothering her so he leaves just to find Risa; in doing so, he learns that Risa never really liked him and found it bothersome for him to chase after her. She only agreed to go on a date with him to shut him up.
Depressed, Sumito returns to Haruno's only to find out that she had been in love with him since the beginning even though she acted so cold about his death. And now, Haruno is on the roof ready to join Sumito as a ghost.
***
I really like oneshots, and even though I write a lot for the summaries, I really hope I don't give too much away.
Seishun no Tamago encompasses the greatness that is Nakahara Aya with her interesting characters, her wit and humor, and fun plot devices. This is a collection I enjoyed a lot, though I must say that nothing quite compares to Lovely Complex, not even the fifth story which was almost a direct knock off of Lovely Complex's idea, but with different types of characters and a different storyline.
Of the six stories, I enjoyed the first, third, and fourth ones the most. The third one, Happiness Faces South had one of the most interesting characters in the form of Bon-chan. I enjoyed his presence a lot and wouldn't have minded if the story was a little longer.
Again, Nakahara-sensei's witticisms do not cease to amaze me.
Genre: comedy, drama, romance, slice of life, shoujo
Volumes/Chapters: 5 oneshot stories
Story 1: Spring Egg
Chika-chan's mother owns a lodging house for college students. The first to come live with them was a boy named Fujimori Tomohiro and since then, it has been love for Chika-chan. Unfortunately, Chika had to learn early on that Tomohiro had no interest in her at all when her mother makes him sign a contract saying that he'll never go after Chika. Not only did he sign the contract, but he also commented that it would never happen.
It has been a year since Tomohiro moved in and three other college students also are lodging with Chika's family. While their relationship is quite close, Tomohiro consistently treats Chika like she's just a little child; even though he knows that she has feelings for him, he openly rejects her time and time again, always calling her "just the lodging house's little brat," in front of others.
After openly offering herself to Tomohiro one night when they are alone at home, he doesn't even show any sign of being moved. Chika is finally set on giving up this one-sided relationship.
Story2: Sunflower Girl
Misaki has a crush on Kurita Kenji and in order to see him all the time, she purposefully eats sweets and junk food to give herself cavities. Kuri's family owns a dental office and upon going in, Kuri is always there hitting on the young girls jokingly or teasing Misaki. Due to summer break approaching, all the girls have the same idea of confessing to the guy they like before they separate and Misaki is encouraged to do the same by writing a letter. Unfortunately, a junior student is also interested in Kuri and has the same idea, beating Misaki to her confession.
In a fit of frustration, Misaki exclaims that she does not like Kuri and even refuses to go to his dental office even though her tooth aches. Realizing that she has been cowardly, the next time she sees Kuri, she breaks down into tears because of her toothache only to learn that Kuri has also liked her as well.
Story 3: Happiness Faces South!
Bon-chan is the type of guy who everyone adores because of a "magic" he creates when socializing. Bon-chan wears untrendy clothes and is extremely cheerful almost all of the time. And Bon-chan fell in love with Sakura at first sight after watching her hit an outstanding homerun even though she was dizzy with sickness from a cold. He later learns that Sakura is the younger sister of a renown beauty at his college.
Sakura had been in love with her sensei from softball and had recently learned that he got himself a girlfriend. Because of this, she got sick and while nursing herself back to health learns that her sister had just gotten a boyfriend. And then Bon-chan shows up and immediately attaches himself to Sakura, claiming that he likes Sakura the most.
But as Sakura begins to fall for Bon-chan's charms after his efforts to chase after her, she knows that she is no beauty compared to her sister. She overhears a few of their mutual friends gossiping that Bon-chan couldn't possible like Sakura and that he might be using her to get to the older sister instead. This occurs not too long after Sakura learns that her sensei and her sister were dating and she is not surprised because in the end, everyone falls for her sister anyway.
But Bon-chan gave his word that he would only look at Sakura and that it was Sakura whom he liked.
Story 4: Prince and I
Mari-chan's neighbor is a boy named Kaoru who is a year younger than her and he does not know how to ride a bike. Ever since she'd met him, she has liked him, and the two are always together, but not as a dating couple. Feeling depressed because even the elementary school kid has a girlfriend, Mari is ecstatic when Kaoru asks her to go to the planetarium with him after she mentions wanting to see it.
But when Kawase-senpai tells Mari that he likes her and wants to go out with her, jealousy takes over and Kaoru tells Mari to go with Kawase instead. After all, Mari had just twisted her ankle and Kaoru wouldn't be able to transport her home on a bike, so it was only right, right? But because of this, Mari has lost hope that Kaoru might care about her.
Story 5: 2 Block Honey
Satoshi and Micchan have been dating for at least a year, but back then, the two matched like such a nice couple. A year into the present, Micchan towers over her boyfriend by at least six centimeters and when she puts on another six centimeters worth of high heels, she is twelve centimeters much taller. And sadly, this affects Satoshi's thinking because he doesn't like that he's so much shorter than his "use to be cute" girlfriend.
Because of this, Satoshi has become irritated to the point that he wants to break up with her if she ever goes out with him in high heels again. But during the date to determine their status, all of the fates are against them when Micchan shows up in the only pair of shoes she can find, the six centimeter heels. They go on their date anyway, but when someone mistakens them for older sister and younger brother, Satoshi decides to end their relationship because of his pride.
Story 6: Spring, Air, Sunday
Sumito died not shortly after getting an agreement from his crush Risa to go on a date with him. At his funeral, his ghost sees Risa who is crying. And then he sees Haruno, his friend who can see him for some reason. Uncaring and cold, Haruno tells Sumito to leave and quit bothering her so he leaves just to find Risa; in doing so, he learns that Risa never really liked him and found it bothersome for him to chase after her. She only agreed to go on a date with him to shut him up.
Depressed, Sumito returns to Haruno's only to find out that she had been in love with him since the beginning even though she acted so cold about his death. And now, Haruno is on the roof ready to join Sumito as a ghost.
***
I really like oneshots, and even though I write a lot for the summaries, I really hope I don't give too much away.
Seishun no Tamago encompasses the greatness that is Nakahara Aya with her interesting characters, her wit and humor, and fun plot devices. This is a collection I enjoyed a lot, though I must say that nothing quite compares to Lovely Complex, not even the fifth story which was almost a direct knock off of Lovely Complex's idea, but with different types of characters and a different storyline.
Of the six stories, I enjoyed the first, third, and fourth ones the most. The third one, Happiness Faces South had one of the most interesting characters in the form of Bon-chan. I enjoyed his presence a lot and wouldn't have minded if the story was a little longer.
Again, Nakahara-sensei's witticisms do not cease to amaze me.
Friday, January 23, 2009
thoughts: Himitsu Kichi (manga)
Creator: Nakahara Aya
Genre: comedy, drama, romance, school life, shoujo
Volumes/Chapters: 4 oneshot stories
File 1: Boyfriend's Secret
Ikeuchi Kana is a first year high school student who can't stand childish boys. At a coffee shop near her house, she met the mature and good-looking Kaneda Kyouichi who, according to her investigations from the shop owner, is a twenty year old college student. She confesses to him not soon afterwards and he unhesitatingly agrees to go out with her.
Of course, after learning that Kana is a high school student, Kyouichi displays strange behavior, expressing that he thought she was the same age as him. The matter is, there is a secret about Kyouichi that the shop owner lied about, and when Kana finds out, it is a matter of whether or not she still wants to date him and if so, whether or not she wants her friends to find out. Also, Kyouichi has the nickname of Kanegon?
File 2: My Own Secret
Haruka Hiroko was walking home one day and by chance saves a boy being bullied. "I want to be a strong guy like you!" the boy exclaims, and by doing so, Hiro-chan angrily tells him that she's a girl-- although she has always been mistaken for a guy since young. Even though she dislikes that, at school it seems she has a reputation to keep as a cool judo club member and so keeps a secret about having a crush on the school idol, Yoshinaga-kun.
At school, she meets the weak boy she saved earlier, learning that his name is Kotake Jun and that he's in the handicrafts club-- he is quite girly as well. Meeting him afterschool at a convenience store, Jun unexpectedly learns that Hiro-chan has a crush on Yoshinaga and agrees to help her become girlier so that she can confess her feelings. In return, Hiro agrees to train Jun in judo so that he can become stronger.
An unexpected twist in the end has Hiro reevaluating her crush for Yoshinaga and her relationship with Jun.
File 3: Girlfriend's Secret
Seiji is the main vocalist to a local band and he is also in love with Eri, the girlfriend of one of his band members, Katagiri. But when he fell for her, it was because she told him she was moved by his singing. He had no idea that she was the girlfriend of Katagiri. By chance, Seiji learns something about Eri-chan and ends up in a complicated mess of secrets in order to help Eri-chan stay with her boyfriend.
But as time goes by with Seiji being the only person who knows this secret, it seems to draw the two closer, causing Seiji to become more and more jealous of Katagiri and his relationship with Eri-chan. In the process, Seiji is also told something revealingly shocking about himself.
File 4: My Secret
Afro Kawashima is thirty-four years old, has twelve years of experience as a performer, and is stuck on doing uninteresting and stupid gags and so he is not a famous actor. He is also the father of Kawashima Emi who is tired of being the lame actor's son. As this is the situation, Emi keeps his relation with the well-known Afro Kawashima a secret, and no matter how dotingly his father acts towards him, Emi can only return indifference.
And then one day, Afro Kawashima shows up to school revealing all the lies Emi had been telling about his family background. Not only that, but now everyone knows that the two are father and son.
***
There's something unique about the way Nakahara-sensei details her stories, even in oneshots. Each oneshot in this collection details a particular secret that each of the main characters has. As the readers, we learn about these secrets pretty early on, but the secret is still kept going up to the end of the short story.
The unexpected twists, especially in the first three oneshots are fun when found out. The second story may not seem to have a secret other than Hiro-chan's obsession with the school idol, but the surprise at the very end will have you rolling in your seat with laughter.
Between her witticisms, her surprises, and the facial expressions and whatnot, Nakahara Aya does not cease to amaze in her delivery of storytelling.
I like her work a lot for these reasons, as there has not been a story in which some part did not make me want to laugh out loud. These are especially found throughout Lovely Complex, but that will be for a different post in the future.
Himitsu Kichi is a fun and cute oneshot collection full of laughs, if not romance. Nakahara-sensei displays her awesomeness yet again.
Genre: comedy, drama, romance, school life, shoujo
Volumes/Chapters: 4 oneshot stories
File 1: Boyfriend's Secret
Ikeuchi Kana is a first year high school student who can't stand childish boys. At a coffee shop near her house, she met the mature and good-looking Kaneda Kyouichi who, according to her investigations from the shop owner, is a twenty year old college student. She confesses to him not soon afterwards and he unhesitatingly agrees to go out with her.
Of course, after learning that Kana is a high school student, Kyouichi displays strange behavior, expressing that he thought she was the same age as him. The matter is, there is a secret about Kyouichi that the shop owner lied about, and when Kana finds out, it is a matter of whether or not she still wants to date him and if so, whether or not she wants her friends to find out. Also, Kyouichi has the nickname of Kanegon?
File 2: My Own Secret
Haruka Hiroko was walking home one day and by chance saves a boy being bullied. "I want to be a strong guy like you!" the boy exclaims, and by doing so, Hiro-chan angrily tells him that she's a girl-- although she has always been mistaken for a guy since young. Even though she dislikes that, at school it seems she has a reputation to keep as a cool judo club member and so keeps a secret about having a crush on the school idol, Yoshinaga-kun.
At school, she meets the weak boy she saved earlier, learning that his name is Kotake Jun and that he's in the handicrafts club-- he is quite girly as well. Meeting him afterschool at a convenience store, Jun unexpectedly learns that Hiro-chan has a crush on Yoshinaga and agrees to help her become girlier so that she can confess her feelings. In return, Hiro agrees to train Jun in judo so that he can become stronger.
An unexpected twist in the end has Hiro reevaluating her crush for Yoshinaga and her relationship with Jun.
File 3: Girlfriend's Secret
Seiji is the main vocalist to a local band and he is also in love with Eri, the girlfriend of one of his band members, Katagiri. But when he fell for her, it was because she told him she was moved by his singing. He had no idea that she was the girlfriend of Katagiri. By chance, Seiji learns something about Eri-chan and ends up in a complicated mess of secrets in order to help Eri-chan stay with her boyfriend.
But as time goes by with Seiji being the only person who knows this secret, it seems to draw the two closer, causing Seiji to become more and more jealous of Katagiri and his relationship with Eri-chan. In the process, Seiji is also told something revealingly shocking about himself.
File 4: My Secret
Afro Kawashima is thirty-four years old, has twelve years of experience as a performer, and is stuck on doing uninteresting and stupid gags and so he is not a famous actor. He is also the father of Kawashima Emi who is tired of being the lame actor's son. As this is the situation, Emi keeps his relation with the well-known Afro Kawashima a secret, and no matter how dotingly his father acts towards him, Emi can only return indifference.
And then one day, Afro Kawashima shows up to school revealing all the lies Emi had been telling about his family background. Not only that, but now everyone knows that the two are father and son.
***
There's something unique about the way Nakahara-sensei details her stories, even in oneshots. Each oneshot in this collection details a particular secret that each of the main characters has. As the readers, we learn about these secrets pretty early on, but the secret is still kept going up to the end of the short story.
The unexpected twists, especially in the first three oneshots are fun when found out. The second story may not seem to have a secret other than Hiro-chan's obsession with the school idol, but the surprise at the very end will have you rolling in your seat with laughter.
Between her witticisms, her surprises, and the facial expressions and whatnot, Nakahara Aya does not cease to amaze in her delivery of storytelling.
I like her work a lot for these reasons, as there has not been a story in which some part did not make me want to laugh out loud. These are especially found throughout Lovely Complex, but that will be for a different post in the future.
Himitsu Kichi is a fun and cute oneshot collection full of laughs, if not romance. Nakahara-sensei displays her awesomeness yet again.
Sunday, January 18, 2009
first impression: Zoku Natsume Yuujinchou (anime)
Natsume Takashi is a young boy who can see ayakashi-- a trait that other humans do not have. He inherited from his grandmother, Natsume Reiko, this ability to see ayakashi as well as the all-powerful Book of Friends. With the Book of Friends, Natsume Takashi is constantly being attacked and seeked out by various demons and spirits who either wish to have their names returned, or who just want to own the book for their own evil purposes.
This is a continuation-- the second season-- of Natsume Yuujinchou which ended on thirteen episodes during the 2008 fall season.
To be exact, this particular post is more for my own opinionated thoughts rather than for a first impression. As a first impression, it is more a way for me to compare the first season with the second season's beginning. In a way, Natsume Yuujinchou fans of the world will be given a chance to compare Natsume Yuujinchou's second season with the glory of its first season.
When I first picked out Natsume Yuujinchou from various other broadcasting anime in the fall, it was because I had been drawn to the advertised poster. This is all explained in first impression: Natsume Yuujinchou.
As the first season drew to a close and the anime loving community was informed of a second season, I was extremely ecstatic. After all, the first season was rather short and left much to be desired. While I had intended to draw up some hype on the soon-to-be-aired Zoku Natsume Yuujinchou, my busy schedule and loss of motivation sort of threw all of that into the dumpster.
But lo and behold, having finally gotten my hands on the first episode of the second season of Natsume Yuujinchou, I am thoroughly revived and ready to tackle my almost abandoned anime blogging once again.
And now back to the anime.
I remember why I liked this series so much. It's relaxing and it makes you really think about every situation and every scene and every dilemma. As I had described it in the end of series thoughts, instead of being an action packed, supernatural and fantasy adventure, Natsume Yuujinchou borders more on a serene, slice of life, drama-esque type of genre. Supernatural elements just happen to be its basis, used to better distinguish Natsume Takashi's growth and development and how he learns to deal with the world around him.
The second season starts off in very much a bit of a bang compared to how the first season had started. Of course, once again, our beloved hero is being chased by some greedy ayakashi out to get him for the Book of Friends, and again, Takashi-kun meets up with a danger to himself involving more dangerous ayakashi. The second season has Takashi tripping over yet another barrier and releasing yet another high level ayakashi from its seal. And then the story goes from there.
It feels less of a sequel and more like a continuation from the first season, exactly where it had left off. Little seems to have changed save for Takashi-kun's level up in emotional and mental quotients.
The anime is still aiming for the same feel and wonder as the first season.
The only difference I can filter out of it is that Natsume Takashi seems a bit livelier than he did from the first season. It could be because of a plethora of things, such as all the friends he had made from season one, and how much more secure he is feeling in his own home now. His sense of duty from accepting the presence of youkai has been amped up a few levels-- its as if he feels that, since he has the power to do so, he needs to play mediator between youkai and humans.
Otherwise, his personality still remains quite the same: he is a good kid with nice qualities and a penchant to think for other people's sakes. He's just a little less monotonous, more active, and less depressing-- not that he had been depressing in the first season at all.
The second season seems to be trying to bring up the comedy just a little more, but hopefully it will incorporate that element as the first season had done-- the first season had the perfect dosage of every genre it portrayed and hopefully the second season will remain as such.
I have to admit though that the first hit of comedy which involved Takashi-kun being smashed in the face with a soccer ball unawares as he is reminiscing was very classic. I jumped and then I gasped and then I laughed. The bit with Natsume Takashi's overpowering strength towards ayakashi is quite admirable-- and amusing-- when he is pissed off enough to take action instead of just relying on his unreliable feline/high-level ayakashi bodyguard.
On top of everything else, I think that I have become mesmerized everytime Takashi-kun does his little clap and blow bit when returning a name to the present ayakashi. Something about how he does it and the fact that he has proven to be quite the bishie and kind-hearted boy... it just makes me unhesitatingly add him onto my list of favorite bishounen males.
Natsume Takashi has become one of my favorite main anime characters. Hands down, he's great!
The theme song is more upbeat than the first season's, but I like it. It kind of synchronizes with Takashi-kun's personality as he continues through this serial anime journey. It took me two watches, but I had noticed that the first half of the theme song shows scenes without ayakashi and the second half shows those exact same scenes with the ayakashi. I feel like it's really significant in showing just how natural the presence of youkai are in the Natsume Yuujinchou world.
Overall, I will continue to look forward to watching the rest of Zoku Natsume Yuujinchou, although I know I'll be hard pressed not to compare it to its first season.
On an end note, the ending theme is not only animated beautifully with Takashi walking through snow and his friends joining him one by one, but it is also catchy and pretty. I will wait patiently for the full version of this song.
Monday, January 12, 2009
spotlight: Natsume Yuujinchou (anime)
It's a wonder that I've even been trying to show my enthusiasm for blogging. I've been slacking off extremely for the past couple weeks-- past month, actually-- and had even disregarded the December spotlight.
However, with the coming of the new winter season in anime as well as my continued love for shoujo manga, I think I can manage to post a few things here and there for the sake of keeping this blog alive somehow.
To start the year off, my first order of business happens to be the first spotlight of the year. The Januaray spotlight goes to none other than one of the best anime series of fall 2008 and hopefully of the winter season in 2009.
***
I'm hooked on this particular anime for many, many different reasons. I truly do believe that Natsume Yuujinchou can easily be called a "diamond in the rough." It's also one of those surprising pleasures that you would have never thought you'd fall in love with.
As explained many times before, I picked up this anime series purely because I thought the poster was gorgeous. The summary seemed cliched, just like any other supernatural series, and I hadn't had much high hopes for it in the first place. But then, after watching the first and second episode, ditching it for a while and then picking it back up, I found how refreshing and mellow the series made me feel.
I fell in love with it and then I basked in the moment of knowing that a second season would be airing soon after.
This is a true episodic series in which every episode has a story of its own, which also pertains to the rest of the running story line. And everything just kind of falls into place neatly and nothing seems forced. If a filler had been interjected, I don't think I would have noticed. Because even as the series progressed in a nonlinear fashion, our main hero, Natsume Takashi continues to develop and continues to grow and continues to learn new things about hisself, about the world around him, and about his special ability.
I fell in love with Natsume Yuujinchou, despite my main genre being romantic comedies based around shoujo manga. Comedy meshes naturally with the drama, the melodrama, the supernatural, and the everyday slice of life elements.
Instead of being a supernatural series with a side of drama, comedy and adventure, Natsume Yuujinchou prides itself on the drama and slice of life areas, which just so happen to have supernatural, comedy, with a side of adventure and sprinkles of action. Natsume Yuujinchou is not flashy or fast-paced, and Natsume Yuujinchou does not force action or comedy.
In a sense, it depicts one specific kind of subject: "This is what your natural life would be like if you could interact with ayakashi." And then, "This is what Natsume Takashi's natural life is like, having always been able to interact with ayakashi." There is nothing thoroughly exciting and funny about being able to see these things, and we are shown this through the flashbacks and the emotional stress that Takashi-kun exhibits throughout the series. He is in contact with ayakashi every day of his life, every hour of every day, and everything is suddenly second nature to him. Like interacting with various people, Takashi simply ignores what he doesn't care to see and deals with what he thinks should be dealt with.
This life is not an adventure for Takashi, this is just how life is for him. And the series does well to depict how he comes to accept his abilities and the constant presence of ayakashi around him. Yes, he is different from others and because of this, he has been shunned and thrown from household to household. But somehow, Natsume Takashi has been able to manage himself quite well.
In other comments and posts around the anime-internet community, it has been mentioned that Natsume Takashi's personality is quite different from manga to anime. In the manga, I've read, he is more melancholic and less kind than he is in the anime. Frankly, I really do prefer to see a serene and good-natured Natsume Takashi over one who will brood and hate because of his lonely and tortured history. Somehow, it adds onto the wonder and amazement that is the anime of Natsume Yuujinchou; the character of Natsume Takashi makes the series such a hit.
Everything from his past history, his flashbacks, his insecurity, his sense of needing to know where he belongs, and his consistent state of kindness and serenity towards the world and the people around him despite all that has happened to him make him a very unique person.
And it is this part of the series that makes for an awesome beauty. The characterization of Natsume Takashi. He can be melancholic, but in a rather subtle way, and he can be a bit terse. But he is depicted overall as a very nice boy who cares about the people around him and cares about the welfare of any perfect stranger, be that stranger ayakashi or human. He is simply lonely and full of concern about what will happen to him and about all the people he may or may not trouble because of his ability to see and communicate with ayakashi.
In a perfect world, one would be hard pressed to find such an optimistic person who has gone through what Natsume Takashi has gone through. But it is this type of person who allows the viewer a sense mysterious hope that not all views of life are filled with drawbacks and malicious evil. There is always a silver lining.
Natsume Yuujinchou is a wonderful and lovely series. And if you think I haven't boasted enough about it, then you haven't read my thoughts on the first season. Another written post for the second season may enter into this blog as well as soon as I finish watching it.
Throughout this post I have mentioned only the series itself and the main hero. I have made no mention of the fat cat, which is also a significant factor to the series. Of course, I feel like the anime really fluorishes because of its tone and it's slow paced storytelling. The characterization of Natsume Takashi is wonderful, and the supporting role of Madara/Nyanko-sensei is a must as the cat actually gives Takashi the hope that there is somewhere he belongs and someone who will always be with him. The introduction of each ayakashi and their episodic storyline can be touching or amusing, and they all add onto the greatness of Natsume Yuujinchou.
Natsume Yuujinchou is probably not for those who seek shounen adventures and the like. But I definitely recommend this series to anyone and everyone who just wants to sit back and relax with a good series. It is a series that needs to be felt rather than rushed through, and I enjoy watching the entire series slowly by episode as it seems only right to feel at ease when watching such a serene series.
Indeed, as the first spotlight of 2009, there is no other who could take the place of Natsume Yuujinchou, the unexpected treasure of 2008's fall season and the looked forward to love of 2009's winter season.
However, with the coming of the new winter season in anime as well as my continued love for shoujo manga, I think I can manage to post a few things here and there for the sake of keeping this blog alive somehow.
To start the year off, my first order of business happens to be the first spotlight of the year. The Januaray spotlight goes to none other than one of the best anime series of fall 2008 and hopefully of the winter season in 2009.
***
I'm hooked on this particular anime for many, many different reasons. I truly do believe that Natsume Yuujinchou can easily be called a "diamond in the rough." It's also one of those surprising pleasures that you would have never thought you'd fall in love with.
As explained many times before, I picked up this anime series purely because I thought the poster was gorgeous. The summary seemed cliched, just like any other supernatural series, and I hadn't had much high hopes for it in the first place. But then, after watching the first and second episode, ditching it for a while and then picking it back up, I found how refreshing and mellow the series made me feel.
I fell in love with it and then I basked in the moment of knowing that a second season would be airing soon after.
This is a true episodic series in which every episode has a story of its own, which also pertains to the rest of the running story line. And everything just kind of falls into place neatly and nothing seems forced. If a filler had been interjected, I don't think I would have noticed. Because even as the series progressed in a nonlinear fashion, our main hero, Natsume Takashi continues to develop and continues to grow and continues to learn new things about hisself, about the world around him, and about his special ability.
I fell in love with Natsume Yuujinchou, despite my main genre being romantic comedies based around shoujo manga. Comedy meshes naturally with the drama, the melodrama, the supernatural, and the everyday slice of life elements.
Instead of being a supernatural series with a side of drama, comedy and adventure, Natsume Yuujinchou prides itself on the drama and slice of life areas, which just so happen to have supernatural, comedy, with a side of adventure and sprinkles of action. Natsume Yuujinchou is not flashy or fast-paced, and Natsume Yuujinchou does not force action or comedy.
In a sense, it depicts one specific kind of subject: "This is what your natural life would be like if you could interact with ayakashi." And then, "This is what Natsume Takashi's natural life is like, having always been able to interact with ayakashi." There is nothing thoroughly exciting and funny about being able to see these things, and we are shown this through the flashbacks and the emotional stress that Takashi-kun exhibits throughout the series. He is in contact with ayakashi every day of his life, every hour of every day, and everything is suddenly second nature to him. Like interacting with various people, Takashi simply ignores what he doesn't care to see and deals with what he thinks should be dealt with.
This life is not an adventure for Takashi, this is just how life is for him. And the series does well to depict how he comes to accept his abilities and the constant presence of ayakashi around him. Yes, he is different from others and because of this, he has been shunned and thrown from household to household. But somehow, Natsume Takashi has been able to manage himself quite well.
In other comments and posts around the anime-internet community, it has been mentioned that Natsume Takashi's personality is quite different from manga to anime. In the manga, I've read, he is more melancholic and less kind than he is in the anime. Frankly, I really do prefer to see a serene and good-natured Natsume Takashi over one who will brood and hate because of his lonely and tortured history. Somehow, it adds onto the wonder and amazement that is the anime of Natsume Yuujinchou; the character of Natsume Takashi makes the series such a hit.
Everything from his past history, his flashbacks, his insecurity, his sense of needing to know where he belongs, and his consistent state of kindness and serenity towards the world and the people around him despite all that has happened to him make him a very unique person.
And it is this part of the series that makes for an awesome beauty. The characterization of Natsume Takashi. He can be melancholic, but in a rather subtle way, and he can be a bit terse. But he is depicted overall as a very nice boy who cares about the people around him and cares about the welfare of any perfect stranger, be that stranger ayakashi or human. He is simply lonely and full of concern about what will happen to him and about all the people he may or may not trouble because of his ability to see and communicate with ayakashi.
In a perfect world, one would be hard pressed to find such an optimistic person who has gone through what Natsume Takashi has gone through. But it is this type of person who allows the viewer a sense mysterious hope that not all views of life are filled with drawbacks and malicious evil. There is always a silver lining.
Natsume Yuujinchou is a wonderful and lovely series. And if you think I haven't boasted enough about it, then you haven't read my thoughts on the first season. Another written post for the second season may enter into this blog as well as soon as I finish watching it.
Throughout this post I have mentioned only the series itself and the main hero. I have made no mention of the fat cat, which is also a significant factor to the series. Of course, I feel like the anime really fluorishes because of its tone and it's slow paced storytelling. The characterization of Natsume Takashi is wonderful, and the supporting role of Madara/Nyanko-sensei is a must as the cat actually gives Takashi the hope that there is somewhere he belongs and someone who will always be with him. The introduction of each ayakashi and their episodic storyline can be touching or amusing, and they all add onto the greatness of Natsume Yuujinchou.
Natsume Yuujinchou is probably not for those who seek shounen adventures and the like. But I definitely recommend this series to anyone and everyone who just wants to sit back and relax with a good series. It is a series that needs to be felt rather than rushed through, and I enjoy watching the entire series slowly by episode as it seems only right to feel at ease when watching such a serene series.
Indeed, as the first spotlight of 2009, there is no other who could take the place of Natsume Yuujinchou, the unexpected treasure of 2008's fall season and the looked forward to love of 2009's winter season.
Monday, December 1, 2008
news: holiday breaks are in order
I've been feeling a lot of fatigue lately, and I know it's because of all the work hours and school work and social dealings that have been going on. Sleep is steadily taking over all of my extra time and it just feels easier to give into my weariness.
I had originally planned a few posts for this month, but my interest in anime and manga have been waning lately. This isn't to say that I won't be posting at all, it just means that I won't be trying to break into a two digit total of posts each month.
There are a lot of ideas I've been dying to share with everyone, and I plan on taking this month off of posting in order to pre-plan and write rough drafts for those features and whatnot.
I'm going to do my best to at least share a December spotlight, but it'll be another half-baked "I think I like this idea a lot but it sucks in reality" deal just like the last one.
As of current, I've stopped my viewing of anime with the exception of Skip Beat! and my anticipation of the next Kara no Kyoukai movie. Kuroshitsuji seems a little less interesting despite Sakamoto Maaya being one of the main seiyu. Michiko to Hatchin is one of those series that I can force myself to wait until it is completely available so that I don't end up on interesting hangers.
Manga is still the same as ever. I continue to wait for the next release of Lovely Complex, Ouran High School Host Club, and others. I'm pretty sure I've read a lot of good oneshot stories to death, and Hana Kimi gets a new skim through by me every month anyway.
I've been slipping into the live action series lately, but not Japanese or Korean. Instead, I've been watching and rewatching a lot of Hong Kong series of which I will leave thoughts and random opinions of them for my other blog: Abstract Abyss.
This month at anicabyss will be rather slow and unworthy of an anime fanblog. And I'm really shamed to say that the rest of the months will probably be given the same treatment as my otaku days are slowly calming down from obsessed to laid back viewer.
But anyway, for anyone who's actually been following along with this place, thank you very much for your support and I will continue to do what I can with this half-a**ed anime blogger.
I had originally planned a few posts for this month, but my interest in anime and manga have been waning lately. This isn't to say that I won't be posting at all, it just means that I won't be trying to break into a two digit total of posts each month.
There are a lot of ideas I've been dying to share with everyone, and I plan on taking this month off of posting in order to pre-plan and write rough drafts for those features and whatnot.
I'm going to do my best to at least share a December spotlight, but it'll be another half-baked "I think I like this idea a lot but it sucks in reality" deal just like the last one.
As of current, I've stopped my viewing of anime with the exception of Skip Beat! and my anticipation of the next Kara no Kyoukai movie. Kuroshitsuji seems a little less interesting despite Sakamoto Maaya being one of the main seiyu. Michiko to Hatchin is one of those series that I can force myself to wait until it is completely available so that I don't end up on interesting hangers.
Manga is still the same as ever. I continue to wait for the next release of Lovely Complex, Ouran High School Host Club, and others. I'm pretty sure I've read a lot of good oneshot stories to death, and Hana Kimi gets a new skim through by me every month anyway.
I've been slipping into the live action series lately, but not Japanese or Korean. Instead, I've been watching and rewatching a lot of Hong Kong series of which I will leave thoughts and random opinions of them for my other blog: Abstract Abyss.
This month at anicabyss will be rather slow and unworthy of an anime fanblog. And I'm really shamed to say that the rest of the months will probably be given the same treatment as my otaku days are slowly calming down from obsessed to laid back viewer.
But anyway, for anyone who's actually been following along with this place, thank you very much for your support and I will continue to do what I can with this half-a**ed anime blogger.
Wednesday, November 26, 2008
spotlight: Seiko-chin to Seishiro-kun
Due to my obviously likely nature at slacking off, the spotlight for November has been randomly chosen by way of "Hey this sounds pretty neat to share with the public!" Yea, I'm lazy, but I haven't even really had time to sit and make sure my feet are intact before getting up again.
Anyway, in all honesty, this particular post is really more about the latest chapter of Lovely Complex that I have been able to view as a fan.
Volume 15, chapter 56 is a special chapter of Lovely Complex dedicated to a short side story about Kotobuki Seishirou, otherwise known as Seiko-chan, and his cute little love story. Now, no Lovely Complex plot device is without some shocking, lulz-inducing twist by the ending. For those who haven't gotten that far yet, I will not give out the twist, but I assure you, by the end of the chapter, you will either be guffawing with laughter, or you will simply drop your jaws, too amused to even make a sound-- much like me.
As a brief cap, chapter 56 of Lovely Complex begins with cute little Seiko-chan looking extra sparkly and who "seems to be in love at the moment." We all remember that when Seiko expressed interest in poor A-chan long ago, it was quite difficult for the little midget not to succumb to Seiko-chan's "pheremones." After all, even though Seiko is really a boy named Seishiro, dressed as a girl and acting like a girl, he is definitely cuter than a lot of other girls.
This time around, Seiko has set his sights on another boy who stepped up and helped him out at the train station when he was being harrassed. Completely prepared to confess this new love, Seiko had even bought all new clothes and a thank you gift. Unfortunately, as biology dictates, it seems that Seishiro has finally become more male when his voice changes to a deeper tone. Because of this, Seiko believes he is disgusting and so has lost all confidence in confessing his love.
The plot of the story, of course has an interesting twist in the end in which we learn that the voice change had nothing to do with puberty, but in fact was really just because Seiko had had a cold. The surprising twist in the end is much more fun when found.
I really had a good laugh for this particular chapter, and it made me think of just how much I really admire and enjoy the presence of Seiko-chan in the storyline of Lovely Complex. Since the beginning, while my own ideals aren't quite that open yet, Seiko has proven to be a very courageous and beautiful person. After all, in today's society, there are still so many taboos and social restrictions and whatnot that make it hard for people to openly express their own likes and dislikes when they stray from what is believed to be the set "norm."
Kotobuki Seishiro is a boy, but he has always felt like he should have been born a girl. He loves to dress in cute clothes, wear his hair in pretty styles, and when placed within a group of girls, there is no telling that he is a boy at all. Seiko falls for those of the same gender, and his initial appearance in Lovely Complex was the means for Risa to realize that she was in love with Otani as well and that she shouldn't let trivial issues misguide her own feelings.
Seiko is very open and honest about himself. Even when made fun of, he can still smile and act cute like the best of them.
But when the "voice change" incident occurs in chapter 56, Seiko feels disgusted. He decides that he has no choice but to be a man now and forces himself to become Kotobuki Seishiro. Unfortunately, this plight is still overcome by the fact that Seiko loves cute things no matter what and cannot stand to be uncute at all.
So who is Kotobuki Seishiro, really anyway? Within this particular chapter, we get to see the male version of Seiko-chan-- which I bet fans have always wondered about. He is loud, obnoxious, and he's extremely depressing. Because as Seishiro, he just isn't the same Seiko-chan we've all come to know. He's unhappy with this transition and it isn't until Risa convinces him that Seiko-chan should never change.
***
As of the posting of this monthly spotlight, I am a little shamed to admit that next month will be extremely slow or even non-existent in the anicabyss blogging unit. My attention has not only been drawn away by other things, but my work hours seem to be never-ending and with the holidays coming up, there are way too many things to focus on.
In December, I will try what I can to post about certain anime and manga, but I make absolutely no promises. It will be a skimpy month, but my focus will be on at least one spotlight, and hopefully a featurette or editorial to finish off the year.
Due to all the above reasons, this was probably one of the worse spotlights I will ever create-- but don't hold your breath on that claim. For those who care, thanks for enduring my skimpy blog up to this date.
I will continue to improve, but I also plan on cutting down my blogging for a while.
Anyway, in all honesty, this particular post is really more about the latest chapter of Lovely Complex that I have been able to view as a fan.
Volume 15, chapter 56 is a special chapter of Lovely Complex dedicated to a short side story about Kotobuki Seishirou, otherwise known as Seiko-chan, and his cute little love story. Now, no Lovely Complex plot device is without some shocking, lulz-inducing twist by the ending. For those who haven't gotten that far yet, I will not give out the twist, but I assure you, by the end of the chapter, you will either be guffawing with laughter, or you will simply drop your jaws, too amused to even make a sound-- much like me.
As a brief cap, chapter 56 of Lovely Complex begins with cute little Seiko-chan looking extra sparkly and who "seems to be in love at the moment." We all remember that when Seiko expressed interest in poor A-chan long ago, it was quite difficult for the little midget not to succumb to Seiko-chan's "pheremones." After all, even though Seiko is really a boy named Seishiro, dressed as a girl and acting like a girl, he is definitely cuter than a lot of other girls.
This time around, Seiko has set his sights on another boy who stepped up and helped him out at the train station when he was being harrassed. Completely prepared to confess this new love, Seiko had even bought all new clothes and a thank you gift. Unfortunately, as biology dictates, it seems that Seishiro has finally become more male when his voice changes to a deeper tone. Because of this, Seiko believes he is disgusting and so has lost all confidence in confessing his love.
The plot of the story, of course has an interesting twist in the end in which we learn that the voice change had nothing to do with puberty, but in fact was really just because Seiko had had a cold. The surprising twist in the end is much more fun when found.
I really had a good laugh for this particular chapter, and it made me think of just how much I really admire and enjoy the presence of Seiko-chan in the storyline of Lovely Complex. Since the beginning, while my own ideals aren't quite that open yet, Seiko has proven to be a very courageous and beautiful person. After all, in today's society, there are still so many taboos and social restrictions and whatnot that make it hard for people to openly express their own likes and dislikes when they stray from what is believed to be the set "norm."
Kotobuki Seishiro is a boy, but he has always felt like he should have been born a girl. He loves to dress in cute clothes, wear his hair in pretty styles, and when placed within a group of girls, there is no telling that he is a boy at all. Seiko falls for those of the same gender, and his initial appearance in Lovely Complex was the means for Risa to realize that she was in love with Otani as well and that she shouldn't let trivial issues misguide her own feelings.
Seiko is very open and honest about himself. Even when made fun of, he can still smile and act cute like the best of them.
But when the "voice change" incident occurs in chapter 56, Seiko feels disgusted. He decides that he has no choice but to be a man now and forces himself to become Kotobuki Seishiro. Unfortunately, this plight is still overcome by the fact that Seiko loves cute things no matter what and cannot stand to be uncute at all.
So who is Kotobuki Seishiro, really anyway? Within this particular chapter, we get to see the male version of Seiko-chan-- which I bet fans have always wondered about. He is loud, obnoxious, and he's extremely depressing. Because as Seishiro, he just isn't the same Seiko-chan we've all come to know. He's unhappy with this transition and it isn't until Risa convinces him that Seiko-chan should never change.
***
As of the posting of this monthly spotlight, I am a little shamed to admit that next month will be extremely slow or even non-existent in the anicabyss blogging unit. My attention has not only been drawn away by other things, but my work hours seem to be never-ending and with the holidays coming up, there are way too many things to focus on.
In December, I will try what I can to post about certain anime and manga, but I make absolutely no promises. It will be a skimpy month, but my focus will be on at least one spotlight, and hopefully a featurette or editorial to finish off the year.
Due to all the above reasons, this was probably one of the worse spotlights I will ever create-- but don't hold your breath on that claim. For those who care, thanks for enduring my skimpy blog up to this date.
I will continue to improve, but I also plan on cutting down my blogging for a while.
Friday, November 21, 2008
first impression: Kuroshitsuji (anime)
So my first impression of this anime after seeing the opening theme was: "Is this a bit... shounen-ai?" And for those of you who don't know what that means, don't ask, because it just means you haven't been exposed to anime and manga enough.
But I really think that the opening is simply misleading. Were this strictly a romance genre and were the two main characters romantically involved somehow-- despite the boy love ideals that I haven't been able to truly open up to yet-- the opening theme and sequence would have been perfect and very... well, "pretty."
Anyway, the premise to this series is about the Phantomhive family and the butler-- who is basically "super butler max". The story currently centers around Ciel Phantomhive, a young twelve year old master of his home and his business, and his butler Sebastian Michaelis.
The episode begins in a rather dramatic, morbid and twisted way. But as it progresses, the comedic antics and the incredible actions of the butler and the staff of the Phantomhive villa come into play. The story just centers around the devotion of Sebastian to his job as Ciel's butler and bodyguard. Everything Sebastian does, he does with ease and can probably do anything and everything ever tasked to him.
The first episode centers around a business contract and financial issues that need to be resolved by Ciel in order for a company to continue running. The staff, in an attempt to one-up Sebastian, take things into their own hands, but screw up immensely before the guest arrives at the mansion. Sebastian, with his demonic skills, fixes everything with ease and prepares the appearance of the villa, dinner, as well as all service for the guest's arrival.
During this time, Ciel receives the guest but seems to only be interested in playing games with him. As dinner progresses and their negotiations seem to be going nowhere, the guest is found talking about how he hasn't been able to procure the money he needs from the Phantomhive child and we learn that he is trying to cheat Ciel by running away from the factory after getting the money. But little does he realize that Ciel already knew of his betrayal and thus, the little boardgame they'd been playing ends up being reality when the guest loses his legs and is given a fiery demise in the end.
The whole concept of the series is supposed to have a creepy, horror-ish feel to it. And it is successful-- or rather it would have been successful if there weren't so many comedic antics thrown in. This is like an Addam's Family alternative, but without a family and simply a master and his staff.
But I have to admit that I enjoyed every bit of what I watched, even some of the lame attempts at hilarity. Maaya Sakamoto does wonders as a twelve year old child's voice actor-- her monotone and her boy's voice is excellent and as expected of such a versatile voice actor.
All in all, I think I may enjoy Kuroshitsuji, even if it doesn't become one of the best anime of the season. This is sort of like a secret delight for me. Kind of like Wagaya no Oinari-sama was, because even though the anime wasn't all that great, I still enjoyed it immensely.
I look forward to slowly easing through this series, because though good, it doesn't really have me hooked. Not just yet.
Tuesday, November 18, 2008
thoughts: Special A
This is slightly overdue only because I had wanted to post it first thing in the morning. Unfortunately, last thing at night will have to do because of all the work hours I've been getting. And because of all the work hours to come, posting this month may be postponed.
Oh well...
It was a long and hard decision as to what I wanted to do with this anime. When I first set eyes on it, I was gleeful. I'm a hopeless romantic after all and the series was clearly labled as "romance" and "comedy" and also had the word "shoujo" following it. Granted this was before I really understood what "shoujo" truly meant in terms of anime and manga, I wanted to watch S. A. anyway.
The beginning of the series was quite the fun ride. There was humor, there were bishounen, and Hikari-chan was pretty adorable. Akira was absolutely wonderful with her violent tendencies, her high-class behavior and her creepy doting on Hikari. Tadashi wasn't bad. The twins were a little odd and Ryuu was kind of hot. Sadly, Takishima Kei was rather arrogant and that sort of annoyed me. I don't care that he's rich, talented, and good-looking. He was arrogant and he was annoying.
All-in-all, I'd enjoyed those first few episodes of Special A.
But as the series progressed -- and I scouted out the manga to get a second view of the series -- I began to become irritated with it.
Why did I come close to dropping the series altogether? It was quite simple. I had never, ever been so irritated with the two main leads of a romantic comedy like I was with Hikari and Kei. (We shall make no mention of Peach Girl at the moment since I prefer to think I never watched it, though since Suzuken was cast in it, I may make mention of the series some other time.)
Basically, it was sufferable to watch as each episode, Kei shows absolute obviousness on just how much in love he is with Hikari, and the stupid girl just assumes that he's trying to pick a fight or challenge her or look down on her. And as for Kei, maybe if he understood just how thick-headed Hikari was, he should have just come straight out about his feelings for her instead of waiting for her to figure it out on his own. I'm quite certain that everyone and their mothers and uncles and distant cousins are quite aware that Hikari is not going to figure anything out on her own about Kei's feelings or even her own.
As far as the storyline goes, it had quite a bit of potential. But sadly, it would have had more potential had it been shortened into maybe a four OVA series. Or maybe if the episodic feature were more interesting. Instead, each episode only added onto the stupidity that was Hanazono Hikari -- only God knows how she managed to get into S.A. with that missing brain of hers -- and the arrogance that was Takishima Kei.
Needless to say, I got bored of it very easily.
The series is simply just a story of the everyday lives and few not so dramatic events surrounding the seven members of S.A.
The members compete with jealous students in their high school. The members compete with each other to decide on where to go for a vacation. The members go on a vacation in Hawaii. The members work on the school festival. Hikari gets recruited as a tutor for Kei's little brother Sui.
The members meet and play "family" with Yahiro's little brother Chitose-- and I must say, this episode was actually quite fun. There was the all too rare fan service shot that shoujo manga usually doesn't have, but in anime, it's a must. Observe this when watching the part where Hikari must pick an Hibiscus flower for Chitose and Kei comes to her aid.
Other plots include Hikari dressing up to attend Yahiro's birthday party as Kei partner. Hikari has gotten a cold and must be taken care of by her S.A. friends because Mama and Papa are off on a trip. In the same episode was crammed the Megami and Yahiro dating episode where Megami speaks for the first time and even sings for Yahiro.
If this scene weren't preceded by Hikari-chan making a moron of herself, pyon. It'd actually look cute... pyon.
Basically, lots and lots of things occur with no definite destination like any typical episodic storyline. The only thing that the series plays off of is the idea of an excellent group of students called the S.A. and their daily lives, and Takishima Kei's undying love for Hikari as well as their eternal rivalry.
All else are just inclusive factors in the storyline that could be done without if necessary, but add to all the fun that should have been a decent shoujo manga to anime adaptation.
So why did I pick up this series again?
It's hard to say. For one, even after wanting to drop the anime, I continued to follow the manga and some of the details pertaining to future plot devices were rather satisfying for my hopeless romantic, shoujo manga obsessive mind. No matter what, S.A. is a shoujo manga romance first and foremost. I've probably sat through worse series/movies/etc...
And the manga boasted a very interesting "passionate kiss" scene between Hikari and Kei that made the fangirl moe-ness in me squeal with pleasure. I was curious to see just how much of the manga that the anime would adapt.
So with that in mind, I picked up Special A once again after getting ahold of every episode up to the end, and then watched it without prior biases and some things to look forward to.
As expected, the personalities of those in S.A. continued to annoy me. When the series changed themesongs, it did nothing for its own welfare and I was starting to have my doubts. But I persevered.
I think of the four couples advertised in this series, Tadashi and Akira have the best story, even though it's quite short. I love them the most.
I must say that I rather enjoyed the relationship development between Akira and Tadashi. Between the two of them, they probably have the loveliest romance in the whole anime series. A few things were altered in comparison to the manga and I feel like I like the anime version quite well. This is not to say that I don't like the manga version, because either way, Akira and Tadashi make a rather adoring, if not lovable, romantic couple.
Boy twin, Jun-kun was given a pairing with Hikari's personality twin Ushikubo Sakura who had to go through pains to win the young prince's heart. Megami was paired up with Saiga Yahiro -- an odd combination that was brought about due to Megami's need to protect Akira and Tadashi by giving Yahiro something else to focus on, like a girlfriend. They were quite cute and I liked how Megami could bring out a different, kinder side to Yahiro and saw Yahiro for the good person he was. Ryuu, of course, as hot and mature as he is, has those rare bestial-doting tendencies and so was left with his animals and without a love interest.
Left for the ending was the final pairing of Hikari and Kei -- who were both together from the start. With a little twist of manga plot around anime plot and we give Hikari a reason as to why she needs Kei in her life. And thus she realizes that she needs to be more honest with herself. So, using the Grandpa Takishima wants to take Kei away from Japan plot device, our remaining six S.A. heroes fly to England to find their Number One and bring him back to school with them.
For every hopeless romantic fangirl in the world, this is the Special A moment we all await.
Surprisingly, I am quite pleased with the ending. Even though it took twenty-four painstaking episodes to arrive at that point, I like what I saw and I saw what I liked. While there was no "passionate manga kiss" placed into the anime, there were various endearing moments between Hikari and Kei towards the ending few episodes that make up for the stupidity, arrogance, and annoyance from the first half of the series. There were enough "huggles" moments to make the shoujo fangirl in me grin whole heartedly, and I still stand that Ryuu is quite hot and needs to find himself a girl.
All in all, I was very pleased with what came of picking up S.A. once again. To tell the truth, I rather enjoyed those last few episodes of S.A. and when Hikari finally realized her feelings for Kei, it was a weight off of my shoulders -- and probably off of every other fan/viewer's shoulders. It's a little unnerving watching the clueless Hikari go through life only thinking of challenging Takishima Kei until she could catch up to his undeniably impossible level.
I will admit. Hanazono Hikari has heart. At least she's not one to give up just because things look too difficult and she's a hard worker and does everything with the utmost fullest of her extent. She's a very idealistic girl. Sadly, she's also a very stupid girl as well who probably only gets to her high academic level through sheer luck and determination.
I can't help but to think that maybe Kei could give slack just a little and lose to Hikari for once. But then again, doing that would just be an insult to Hikari's willpower and he probably knows that as well which is why he never lets up on his skills.
"You're special," is what Hikari tells Kei, and for the first time in the entire series, I actually thought she was extremely cute.
The ending is good. I liked it. Even if the beginning was beyond rocky, the ending is quite worth the arduous journey-- that is if one can be patient enough to withstand the entire journey to get to the ending. And so there is little good to say about Special A because all that is good about it would be the bishies, the romances, sometimes the comedy, and the final good ending.
Although, I have to point out that this series boasted some of the most eerie set of people within a group of seven. Between the inhuman physical abilities, beyond high intelligence, and strange personalities, its hard to say that people like this truly exist in real life. Hikari, Sakura, and Akira alone could team up and beat the living snot out of a war-trained muscle man. Ryuu could easily be the smartest person in the entire series without all his obstacles. And Takishima Kei is just impossible in existence.
Special A... watch it or leave it. I would say, leave it for a rainy day and watch it while you're waiting for something better to come along.
Oh well...
It was a long and hard decision as to what I wanted to do with this anime. When I first set eyes on it, I was gleeful. I'm a hopeless romantic after all and the series was clearly labled as "romance" and "comedy" and also had the word "shoujo" following it. Granted this was before I really understood what "shoujo" truly meant in terms of anime and manga, I wanted to watch S. A. anyway.
The beginning of the series was quite the fun ride. There was humor, there were bishounen, and Hikari-chan was pretty adorable. Akira was absolutely wonderful with her violent tendencies, her high-class behavior and her creepy doting on Hikari. Tadashi wasn't bad. The twins were a little odd and Ryuu was kind of hot. Sadly, Takishima Kei was rather arrogant and that sort of annoyed me. I don't care that he's rich, talented, and good-looking. He was arrogant and he was annoying.
All-in-all, I'd enjoyed those first few episodes of Special A.
But as the series progressed -- and I scouted out the manga to get a second view of the series -- I began to become irritated with it.
Why did I come close to dropping the series altogether? It was quite simple. I had never, ever been so irritated with the two main leads of a romantic comedy like I was with Hikari and Kei. (We shall make no mention of Peach Girl at the moment since I prefer to think I never watched it, though since Suzuken was cast in it, I may make mention of the series some other time.)
Basically, it was sufferable to watch as each episode, Kei shows absolute obviousness on just how much in love he is with Hikari, and the stupid girl just assumes that he's trying to pick a fight or challenge her or look down on her. And as for Kei, maybe if he understood just how thick-headed Hikari was, he should have just come straight out about his feelings for her instead of waiting for her to figure it out on his own. I'm quite certain that everyone and their mothers and uncles and distant cousins are quite aware that Hikari is not going to figure anything out on her own about Kei's feelings or even her own.
As far as the storyline goes, it had quite a bit of potential. But sadly, it would have had more potential had it been shortened into maybe a four OVA series. Or maybe if the episodic feature were more interesting. Instead, each episode only added onto the stupidity that was Hanazono Hikari -- only God knows how she managed to get into S.A. with that missing brain of hers -- and the arrogance that was Takishima Kei.
Needless to say, I got bored of it very easily.
The series is simply just a story of the everyday lives and few not so dramatic events surrounding the seven members of S.A.
The members compete with jealous students in their high school. The members compete with each other to decide on where to go for a vacation. The members go on a vacation in Hawaii. The members work on the school festival. Hikari gets recruited as a tutor for Kei's little brother Sui.
The members meet and play "family" with Yahiro's little brother Chitose-- and I must say, this episode was actually quite fun. There was the all too rare fan service shot that shoujo manga usually doesn't have, but in anime, it's a must. Observe this when watching the part where Hikari must pick an Hibiscus flower for Chitose and Kei comes to her aid.
Other plots include Hikari dressing up to attend Yahiro's birthday party as Kei partner. Hikari has gotten a cold and must be taken care of by her S.A. friends because Mama and Papa are off on a trip. In the same episode was crammed the Megami and Yahiro dating episode where Megami speaks for the first time and even sings for Yahiro.
Basically, lots and lots of things occur with no definite destination like any typical episodic storyline. The only thing that the series plays off of is the idea of an excellent group of students called the S.A. and their daily lives, and Takishima Kei's undying love for Hikari as well as their eternal rivalry.
All else are just inclusive factors in the storyline that could be done without if necessary, but add to all the fun that should have been a decent shoujo manga to anime adaptation.
So why did I pick up this series again?
It's hard to say. For one, even after wanting to drop the anime, I continued to follow the manga and some of the details pertaining to future plot devices were rather satisfying for my hopeless romantic, shoujo manga obsessive mind. No matter what, S.A. is a shoujo manga romance first and foremost. I've probably sat through worse series/movies/etc...
And the manga boasted a very interesting "passionate kiss" scene between Hikari and Kei that made the fangirl moe-ness in me squeal with pleasure. I was curious to see just how much of the manga that the anime would adapt.
So with that in mind, I picked up Special A once again after getting ahold of every episode up to the end, and then watched it without prior biases and some things to look forward to.
As expected, the personalities of those in S.A. continued to annoy me. When the series changed themesongs, it did nothing for its own welfare and I was starting to have my doubts. But I persevered.
I must say that I rather enjoyed the relationship development between Akira and Tadashi. Between the two of them, they probably have the loveliest romance in the whole anime series. A few things were altered in comparison to the manga and I feel like I like the anime version quite well. This is not to say that I don't like the manga version, because either way, Akira and Tadashi make a rather adoring, if not lovable, romantic couple.
Boy twin, Jun-kun was given a pairing with Hikari's personality twin Ushikubo Sakura who had to go through pains to win the young prince's heart. Megami was paired up with Saiga Yahiro -- an odd combination that was brought about due to Megami's need to protect Akira and Tadashi by giving Yahiro something else to focus on, like a girlfriend. They were quite cute and I liked how Megami could bring out a different, kinder side to Yahiro and saw Yahiro for the good person he was. Ryuu, of course, as hot and mature as he is, has those rare bestial-doting tendencies and so was left with his animals and without a love interest.
Left for the ending was the final pairing of Hikari and Kei -- who were both together from the start. With a little twist of manga plot around anime plot and we give Hikari a reason as to why she needs Kei in her life. And thus she realizes that she needs to be more honest with herself. So, using the Grandpa Takishima wants to take Kei away from Japan plot device, our remaining six S.A. heroes fly to England to find their Number One and bring him back to school with them.
Surprisingly, I am quite pleased with the ending. Even though it took twenty-four painstaking episodes to arrive at that point, I like what I saw and I saw what I liked. While there was no "passionate manga kiss" placed into the anime, there were various endearing moments between Hikari and Kei towards the ending few episodes that make up for the stupidity, arrogance, and annoyance from the first half of the series. There were enough "huggles" moments to make the shoujo fangirl in me grin whole heartedly, and I still stand that Ryuu is quite hot and needs to find himself a girl.
All in all, I was very pleased with what came of picking up S.A. once again. To tell the truth, I rather enjoyed those last few episodes of S.A. and when Hikari finally realized her feelings for Kei, it was a weight off of my shoulders -- and probably off of every other fan/viewer's shoulders. It's a little unnerving watching the clueless Hikari go through life only thinking of challenging Takishima Kei until she could catch up to his undeniably impossible level.
I will admit. Hanazono Hikari has heart. At least she's not one to give up just because things look too difficult and she's a hard worker and does everything with the utmost fullest of her extent. She's a very idealistic girl. Sadly, she's also a very stupid girl as well who probably only gets to her high academic level through sheer luck and determination.
I can't help but to think that maybe Kei could give slack just a little and lose to Hikari for once. But then again, doing that would just be an insult to Hikari's willpower and he probably knows that as well which is why he never lets up on his skills.
"You're special," is what Hikari tells Kei, and for the first time in the entire series, I actually thought she was extremely cute.
The ending is good. I liked it. Even if the beginning was beyond rocky, the ending is quite worth the arduous journey-- that is if one can be patient enough to withstand the entire journey to get to the ending. And so there is little good to say about Special A because all that is good about it would be the bishies, the romances, sometimes the comedy, and the final good ending.
Although, I have to point out that this series boasted some of the most eerie set of people within a group of seven. Between the inhuman physical abilities, beyond high intelligence, and strange personalities, its hard to say that people like this truly exist in real life. Hikari, Sakura, and Akira alone could team up and beat the living snot out of a war-trained muscle man. Ryuu could easily be the smartest person in the entire series without all his obstacles. And Takishima Kei is just impossible in existence.
Special A... watch it or leave it. I would say, leave it for a rainy day and watch it while you're waiting for something better to come along.
Monday, November 17, 2008
thoughts: Spicy Pink (manga)
As a treat to my readers (population: 2?) I've decided to do a multiple posting of a few selected Kurahashi Erika-sensei manga as well as one Yoshizumi Wataru manga.
Basically this is my apology for being "gone" for the first two weeks of November even though I promised a lot of posts. As life plays it, I have work, work, and more work, and then I have homework. In the coming year, I will also be quite busy as more school work comes to me in the form of a new degree program.
And since I have no pressing readership duties, I figure that I can put off this blog if necessary. After all, this is basically something for me to do while I'm bored anyway. Right?
Aside from that, while I have at least two items I would like to post during December, I know that I may have to stall for a while. And so depending on my status, there may be no posting in December, and if so, there will only be two items... three at the most. I will try my hardest to create a spotlight for December as well, but I promise nothing.
Thank you for all you support up to now... for anyone who actually reads this blog. This week will be full of thoughts and first impressions. And the November spotlight may be scooted to the last week of the month, as has been the issue.
***
Creator: Yoshizumi Wataru
Genre: josei, romance, shoujo, comedy
Volumes/Chapters: 2 volumes (12 chapters)
Endou Sakura is a twenty-six year old shoujo mangaka who, after a serious relationship ended with her high school sweetheart, never bothered with another boyfriend. But then one night, her friend, Misono asks her to help fill a seat at a goukon and she agrees. It is there where she meets Koreeda Iku, a plastic surgeon who gives her a bad first impression by telling her what she should do with her face to look prettier.
Determined that she would happily never see him again after that night, she is surprised to find him surprising her with a visit as she sits at a local cafe planning her next manga. He tells her that he fell for her and that he would like her to be his girlfriend. Wanting a little bit of romance in her life in order to aid her in writing shoujo manga, Sakura agrees. She later learns that he too had had a reason for wanting a girlfriend, and on top of that, other complications arise as the two go through the relationship.
This particular manga was fun to read through because it was more down to earth than a lot of the other shoujo manga I've read (as oneshots or short stories); and this one is also filed under the genre of josei, which is a demographic aimed at older women and their love lives.
Yoshizumi-sensei not only draws her characters and settings to detail, but also creates characters and situations that are a little easier to grasp. Character's feelings are conveyed in a clearer, more precise manner.
In Spicy Pink, our two main characters are always at each other's throats when they aren't being lovey-dovey, and that's because Sakura is depicted as a stubborn yet carefree girl who has accomplished her dream of becoming a mangaka. Koreeda Iku is a plastic surgeon, and whether or not he likes this profession is in question since he had inherited his family's business. He is rather condescending in his tone when speaking with Sakura, and he's also rather aloof when it comes to their relationship.
It's a fun little combination, and the whole story basically follows the two as they learn to fall in love, learn more about each other, and go through the happy times and the complications together. Even though this is labeled as shoujo manga, and all shoujo romances are entitled to a happily ever after with the main characters, it was a little hard to predict how the end would come out when a third party joined for romantic interference.
But alas, happily ever after did happen and I'm grateful for that.
On the side, Koreeda Iku's younger sister, Risa, meets Sakura with glee as she is an eternal fan of Sakura's shoujo manga. Through Risa, Sakura learns about Koreeda's ex-girlfriend who passed away, Natsuko, and because of this incident, one of their obstacles forms. Also through Risa, Sakura meets her ex from highschool, Akira who is interested in dating Risa.
Another side story involves Sakura's mangaka friend, Misono and her relationship with Sugioka who had lied to her about being a doctor. The reasons that Misono always wants a rich boyfriend is because she has expensive taste as a mangaka, and whenever a man realizes this, even though Misono can afford everything she wants, they don't want to bother paying for it. So they leave her. Sugioka turns out to be a bookstore clerk and afraid that he'll leave her one day after learning about her expensive living, Misono leaves him first.
The story of Spicy Pink is full of twists and turns and makes for good drama if it would ever be adapted into live action. On top of the complicated romances, we also get a sneak peek into a "manga" version of mangaka lifestyle from brainstorming ideas, getting ideas rejected, receiving inspiration, and finally meeting deadlines at the last minute.
I, for one, have always enjoyed Yoshizumi Wataru's work due to the stories, the artwork, and how cute some of the characters can be. Much like many others, Yoshizumi-sensei is an excellent bishoujo/bishounen artist.
As of present, I am still waiting for some of her other works to be translated in order to be able to read them. I would suggest Spicy Pink to anyone who is interested in a cute love story.
Basically this is my apology for being "gone" for the first two weeks of November even though I promised a lot of posts. As life plays it, I have work, work, and more work, and then I have homework. In the coming year, I will also be quite busy as more school work comes to me in the form of a new degree program.
And since I have no pressing readership duties, I figure that I can put off this blog if necessary. After all, this is basically something for me to do while I'm bored anyway. Right?
Aside from that, while I have at least two items I would like to post during December, I know that I may have to stall for a while. And so depending on my status, there may be no posting in December, and if so, there will only be two items... three at the most. I will try my hardest to create a spotlight for December as well, but I promise nothing.
Thank you for all you support up to now... for anyone who actually reads this blog. This week will be full of thoughts and first impressions. And the November spotlight may be scooted to the last week of the month, as has been the issue.
***
Creator: Yoshizumi Wataru
Genre: josei, romance, shoujo, comedy
Volumes/Chapters: 2 volumes (12 chapters)
Endou Sakura is a twenty-six year old shoujo mangaka who, after a serious relationship ended with her high school sweetheart, never bothered with another boyfriend. But then one night, her friend, Misono asks her to help fill a seat at a goukon and she agrees. It is there where she meets Koreeda Iku, a plastic surgeon who gives her a bad first impression by telling her what she should do with her face to look prettier.
Determined that she would happily never see him again after that night, she is surprised to find him surprising her with a visit as she sits at a local cafe planning her next manga. He tells her that he fell for her and that he would like her to be his girlfriend. Wanting a little bit of romance in her life in order to aid her in writing shoujo manga, Sakura agrees. She later learns that he too had had a reason for wanting a girlfriend, and on top of that, other complications arise as the two go through the relationship.
This particular manga was fun to read through because it was more down to earth than a lot of the other shoujo manga I've read (as oneshots or short stories); and this one is also filed under the genre of josei, which is a demographic aimed at older women and their love lives.
Yoshizumi-sensei not only draws her characters and settings to detail, but also creates characters and situations that are a little easier to grasp. Character's feelings are conveyed in a clearer, more precise manner.
In Spicy Pink, our two main characters are always at each other's throats when they aren't being lovey-dovey, and that's because Sakura is depicted as a stubborn yet carefree girl who has accomplished her dream of becoming a mangaka. Koreeda Iku is a plastic surgeon, and whether or not he likes this profession is in question since he had inherited his family's business. He is rather condescending in his tone when speaking with Sakura, and he's also rather aloof when it comes to their relationship.
It's a fun little combination, and the whole story basically follows the two as they learn to fall in love, learn more about each other, and go through the happy times and the complications together. Even though this is labeled as shoujo manga, and all shoujo romances are entitled to a happily ever after with the main characters, it was a little hard to predict how the end would come out when a third party joined for romantic interference.
But alas, happily ever after did happen and I'm grateful for that.
On the side, Koreeda Iku's younger sister, Risa, meets Sakura with glee as she is an eternal fan of Sakura's shoujo manga. Through Risa, Sakura learns about Koreeda's ex-girlfriend who passed away, Natsuko, and because of this incident, one of their obstacles forms. Also through Risa, Sakura meets her ex from highschool, Akira who is interested in dating Risa.
Another side story involves Sakura's mangaka friend, Misono and her relationship with Sugioka who had lied to her about being a doctor. The reasons that Misono always wants a rich boyfriend is because she has expensive taste as a mangaka, and whenever a man realizes this, even though Misono can afford everything she wants, they don't want to bother paying for it. So they leave her. Sugioka turns out to be a bookstore clerk and afraid that he'll leave her one day after learning about her expensive living, Misono leaves him first.
The story of Spicy Pink is full of twists and turns and makes for good drama if it would ever be adapted into live action. On top of the complicated romances, we also get a sneak peek into a "manga" version of mangaka lifestyle from brainstorming ideas, getting ideas rejected, receiving inspiration, and finally meeting deadlines at the last minute.
I, for one, have always enjoyed Yoshizumi Wataru's work due to the stories, the artwork, and how cute some of the characters can be. Much like many others, Yoshizumi-sensei is an excellent bishoujo/bishounen artist.
As of present, I am still waiting for some of her other works to be translated in order to be able to read them. I would suggest Spicy Pink to anyone who is interested in a cute love story.
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