Episode 2: Banquet of Shivering
Episode 3: Missing Feelings; An Emotion She Lacks
I'm not fond of blogging anime by episode just because I'm a lazy person. I like reading others blog about anime by episode, but only after I've already seen that particular episode because blogs always give away a basic summary of the episode's direction. That, and I like to be able to have my own first hand impressions from watching the anime itself rather than reading a rough summary about it and then being ready for possible surprises, sad scenes, comedic scenes, and stuff like that.
Here right now, however, I wanted to mention my thoughts on these two episodes of Skip Beat!, though more notably episode 3 because of how symbolic it is for the rest of the storyline. In truth, episode 2 was nothing special because it felt more like a transition stage where Kyoko goes from ordinary girl to "some girl doing what she can to get into showbiz for the sake of revenge."
Episode 2 was really just a place for dear Kyoko-sama to display her demonic side to the fullest. Yea, this is the one where she literally haunts poor Sawara-san and his family until he gives her a chance in the entertainment industry. It's an episode full of lolz and one must give props to Sawara-san for enduring as long as he did and for caving in and letting Kyoko do as she pleased rather than calling the cops and having her arrested for disturbing the peace-- in which case the girl would probably still find a way to come back and haunt him.
Episode 3 begins with the infamous newcomer auditions wherein Kyoko will try to hit it off in the entertainment world and where Kyoko gains a good impression towards the president of LME. As many of us who read the Skip Beat! manga already know, Kyoko's talent presentation is out of the ordinary and her shortcomings earn her no spot in the further audition as she is booted out almost too quickly.
It is because of this audition, however, that Kyoko finally finds herself realizing that she is pathetic for revolving so much around Shotaro, and yet even then she cannot help it. Kyoko had spent her entire life living for the sake of Shotaro to the point where no matter what she did, it was always for Shotaro and no one else, not even herself or for others who might care.
To make a long point shorter, Kyoko realizes that because of her past with Shotaro as well as her history with her mother, she has lost the will and the ability to love-- period. It isn't a romantic love that she has lost because of Shotaro, but it is the ability to care for or let other care for her at all.
Because of her mother leaving her when she was young, Kyoko has placed all of her time and energy in Shotaro because she whole-heartedly believed that Sho would be her prince for life and lover her forever. And then not long ago (refer to episode one) Shotaro broke her heart without remorse. And to this day, even though he is not around her, he still manages to taunt her in her reveries.
It's a sad, sad situation to realize something so depressing and so pathetic about oneself.
Kyoko failed the auditions because she lacked the ability to love. And because she lacked the ability to love, she feels as if she's lost the ability to do anything else anymore. And thus she's given up on her pursuit of the entertainment industry, which would mean that she's given up on her revenge for Sho, no matter how much she still resents the bastard.
I'm happy to learn that I'm not the only person who was moved by Kyoko's scene in which she realizes how pathetic she is, how she had lost her important human feeling of love, and how she'd wasted her entire life being Shotaro's slave girl. While in the manga I hadn't been too moved as I was this time seeing the scene in animation and hearing the devestating sobs coming from Kyoko, I still recognized it as a significant turning point in Kyoko's journey.
Because now that she's realized what is wrong with her, Kyoko, with enough willpower and determination, which she has, will be able to pinpoint it over and over again and learn how to overcome this hurdle.
In following episodes, assuming they continue to follow closely to the manga as they have done so far, we get to see this new and revived Kyoko breaking down all those walls one after another. Each time a situation presents itself to brutally assault her and her emotions, she will fall, but she will also rise back to the occasion and take on the challenge once again without fail.
This is what makes Mogami Kyoko such an idealistic girl and such a counter heroine for all those weepy romance shoujo manga heroine who's lives depend on whether or not their designated hero will fall in love with them too. Don't get me wrong; I like a good cheesy romance oneshot as well as the next shoujo manga fangirl. I just also like to read or view some stories with depth and substance sometimes as well.
Skip Beat! is definitely a unique manga in the class of shoujo demographic. While I too feel like the romance in the manga is devloping rather slowly like others, I also feel like I wouldn't change the pacing and the storyline for any reason.
Getting back on topic, episode 3 was a rather significant plot device which will later on be emphasized due to Kyoko's undying determination for the things that she does. What makes Kyoko such a unique person is her ability to continue standing right back up everytime she happens to fall, and no matter how hard and how far she falls. That and her innocent, yet tainted nature-- a unlikely combination in one person, but not impossible as seen by Kyoko's existence in the fictional world.
Anyway, as per usual, I look forward to seeing more of the anime adaptation. I look forward to continuing to read the manga. These first three episodes have so far covered the entirety of Volume One of the manga and so at this rate I hope that my favorite parts of the manga will be able to reach the animation.
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