thoughts: Yamato Nadeshiko Shichi Henge (anime)

otherwise known as The Wallflower or Perfect Girl Evolution
Episodes: 25
Genre: comedy, romance, shoujo, reverse harem


With the number of reverse harem shoujo manga out there, I become quite pleased when I find one that has been adapted into anime format. Ever since I discovered Ouran High School Host Club, I squeal in delight at the idea of watching any form of romantic comedy, shoujo manga adaptation, specifically reverse harem genre. Those are fun because unlike usual harem anime, the female protagonists don't give away fan service boob shots every five seconds and their chests aren't made out of synthetic materials the size of Mount Everest.

Does every female really have to have ginormous breasts in order to be in anime? Really now. That's why I like shoujo manga and anime. The chest is usually not the main focus of the screen.

Backing off of my soap box now...

And reverse harems are usually classified shoujo demographic while harems are classified as shounen or ecchi. To be given the choice, I will always choose shoujo reverse harems over ecchi harems. Less headache, less fan service... and occassionally a bit more tasteful in comedy and storytelling.

To date, this is the third reverse harem shoujo anime I've watched since anime became a regular diet on my viewing list. The first being Ouran High School Host Club and the second being Fruits Basket.

Of course, we make no mention that I've been gorging myself on shoujo reverse harem manga for the past six months as well -- Hana Kimi is god's gift to all shoujo fans out there!

hehe It's so amusing...
What better series to make mention of during this holiday season than one dealing in the dark arts and covered in skeletons, anatomical figures, and guts and gory.

Yamato Nadeshiko Shichi Henge is a mouthful. But luckily it also has two other titles that it goes by: The Wallflower and Perfect Girl Evolution. From here on out, I shall be using whatever name pops up in my mind and whatever is easiest to type.

This series is mainly very straight forward about one girl and four guys living under the same roof with a given mission. Basically, to make a long synopsis short, these four men have been given the task of turning Nakahara Sunako (our heroine) into a proper and glamorous "Lady". This task proves to be rather arduous as Sunako-chan isn't simply a girl with low self-esteem and bad skin care habits.

It's the religion for followers of the 'Anatomical Figure' way. Or just morbid.
Her beauty is actually kind of creepy as well. I prefer the SD Sunako. Cause I'm weird like that.
Nakahara Sunako is morbid, twisted, and she's interested in everything that has to do with horror, dark arts, and the darkness of life itself. She hides her face under her hair, she hides herself in her dark room, and she probably wears the same comfortable looking track suit in every single episode. Her favorite holiday is Halloween and her best friend is a science anatomical figure named Hiroshi-kun whose guts are showing on one half of his body. Her other friends include Akira-kun and Josephine, another anatomical figure and a skeleton, respectively.

Within the twenty-five episodes, Sunako-chan is in her SD form at least 90% of the time. Only whenever she become very passionate about something having to do with her beliefs or with Kyouhei does she actually turn back into her original form as a young girl. Her heckcare emotions define the SD form and her emotional ups and downs define her normal look.

It can only be imagined how hard it would be for four young men, unexperienced as fashion consultants, to teach this girl how to become a proper lady for the sake of their rent. It also doesn't help that the girl nosebleeds every single time she comes in contact with anything overly "beautiful" or "dazzling" as she calls them.

In essence, the series is simply that straight forward. Hilarious antics ensue, interesting monologues, plot devices, and twists incur which sum up to the entire episodic series of Yamato Nadeshiko Shichi Henge.

Our four male protagonists thankfully each have a personality of their own (as usual reverse harem men do).


Takano Kyouhei is probably the main male protagonist as the storyline boasts a bit of a relationship between Sunako-chan and him. Kyouhei is rough and rude and impatient, but even as he claims that all he cares about is free rent, he readily understands Sunako's circumstances and takes care of her as well as his friends living within the mansion. He is proclaimed as "the prettiest of them all", which is kind of disturbing, but his demeanor and personality could contradict his own looks. As contrasted to the other three, at least he tries to fight his own "prettiness" and acknowledges it as some sort of issue...

All in all, I feel like this guy probably has the most depth than the rest of his co-male characters.


Oda Takenaga is a rather quiet, smart, and refined young man with the personality and background of a young master. Toyama Yuki looks like a girl, acts like a girl, and could probably be a girl as he is the most gentle and caring of the bunch-- I feel little sympathy for him being mistaken as a girl regularly and forced to dress like one. And Morii Ranmaru is simply a playboy with no personality-- I don't like him in the slightest.

The other regular supporting character is Kasahara Noi who is depicted as the "Lady" who worked hard to look and be the way she is at present. She is in love with Takenaga, admires Sunako-chan, fights regularly with Kyouhei, and gets along with the rest quite well.


I have little to say about this series but giving such a recap of the characters and the storyline. The series itself does not leave an impression. And while I am quite amused with the horror and dark arts themes circulating this series, the plot devices become quite old after a while.

Everything is usually quite funny the first time around. And then the ideas are reused, recycled, and repeated so many times that it loses its appeal.

I liked the dark arts theme. I enjoyed the "talking" anatomical figures, and Sunako-chan's SD form was actually very, very adorable. But her nose bleeding, her constant hiding in her room, her continous moping about being "ugly"... it all just ended up becoming quite annoying. Her fascination with anything dark and twisted always piqued my interest, but got old real fast.

It was a good thing that Sunako-chan proved to at least be efficient in some areas where many shoujo manga girls are not. She can cook, she can clean, she's not academically stupid, and she has her set of common senses despite being morbid and twisted. Sunako-chan is not an idiot; she just simply sees the world in a very, very twisted way.

Did I mention that she's very dark and twisted?

The guys annoyed me too. I mean, are there truly men out there who look as beautiful as women... and even more so when they actually dress up as women? I feel a little down just thinking about the fact that a man could possibly be prettier than me when he puts some effort into it-- though it takes little effort to get to that point.

But still... I guess this is just a typical Japanese manga thing to have men be able to look just as beautiful as a woman.

Men who look "pretty" are kind of creepy in my own personal opinion.
As far as the series goes, it was all good entertainment. I like anime and manga aimed at the shoujo demographic. It's as simple as that. If the series had ended with a good romantic wrap-up between Sunako and Kyouhei, I would have been happier, but there was only a hinting and Sunako still nosebled all over Kyouhei. So even as the anime series is over, I hold no hope for any progress in their relationhip any time soon in the manga which is still ongoing.

Nonetheless, the relationship between them is quite heartwarming. Of course, this is setting aside the fact that Sunako tried to kill Kyouhei on many different occasions, can't seem to look him in the eye without having a nosebleed, and calls him "dazzling creature" in a rather resenting tone. Otherwise, they seem to like each other and can get along fine.

Side characters in the series were nothing but background noise and quite annoying. The episodic plots were some you would have to take with a pinch of salt and a spoon of sugar.


The landlady who is also Sunako's aunt, affectionately addressed as "Oba-chan" by the boys, is an interesting lady what with her constant changing of boyfriends and her outrageous entrances and exits. All-in-all, she's not a bad person and I can see how Sunako would enjoy her presence so much despite her being such a beautiful woman.

I enjoyed the series up to a certain point. I liked the theme music. And Sunako's seiyuu Takaguchi Yukiko did an excellent job, especially with all the voice changing between Sunako's human form and SD form.

As far as the must see factor on this series, I'd simply say this is something I wouldn't mind watching simply to pass the time. If you're looking for something wonderful to tell your friends about, this series probably isn't it. But it was fun, it was funny, and it was entertaining. I will admit that I really enjoyed the anime a lot. It's just not something I would become hooked on such as the likes of Ouran High School Host Club or Lovely Complex.

I've seeked out the manga version and plan on viewing it soon. It is still ongoing and so there is still much development to be seen. Hopefully it will satsify my fangirl desires where the anime could not.

I found that I quite enjoyed the relationship between Kyouhei and Sunako and I liked to see them together like this, with Sunako in her SD form. It's rather cute.

thoughts: D.Gray-man (anime) -- unexpected ending

Episode 103: It Echoes in the Long Morning

I was utterly panicked when after episode 102 I watched the preview for episode 103 and it was stated as the last episode. I thought to myself, "This can't be. The manga is still going with a lot of new plot and details." Even though I haven't followed the manga, I know that a new story arc is starting to approach. There was so much more that needed to be animated and broadcasted to the fans.


But then I went and discovered that upon acquiring episode 103 from my sources, it was indeed the very last episode.

The series wraps up rather snuggly with episode 103, and like any other anime, it boasts the possibility without promise of a continuation. The war of D.Gray-man continues on, new evolutions of Innocense have been revealed, and the Millenium Earl feels as if he's only just getting started.

I've found no evidence of a continuation anywhere, and by this point in time a possible sequel is more or less out the window considering the length of this anime in its original form.

Indeed, this may more than likely be the end of the entire anime altogether, and the main reason could most plausibly have to do with popularity and ratings.

As of present, I know only that the most popular ongoing shounen demographic anime series are three: One Piece, Naruto, and Bleach. With this in mind, we presume they are popular because of their target audience-- young children, mostly male, all with the penchant for violence and becoming the world's greatest pirate/ninja/samurai (have your pick). They're mostly kids, they have nothing to do-- and these anime also appeal internationally.

Good luck finding girls in the western area who will openly admit to watching anime or indulging in shoujo manga.

In essence, the three mentioned above have one very common factor: they were all anime that resemble the first and longest shounen demographic anime to hit it off internationally, Dragonball. My speculations are my own and will be saved for a later post, but for right now, take it as it is.

D.Gray-man, I assume, never really had that same appeal that One Piece, Naruto, or Bleach have. That, and I assume having a very, very dark themed storyline couldn't really be appropriate for young viewers (never minding that I know nothing of Naruto or that Bleach consists of very bloody fight scenes).

There's a lot of anguish that goes into the pacing and development of D.Gray-man's plot and characters. The anime itself centers around a war against machines created using people who have died who then go on to killing the person who called for that weapon termed "Akuma".

The recipe for an "Akuma":

- One part sadness and sorrow
- One part anguish
- One part longing
- One machine created courtesy of the Millenium Earl
- Two deaths of humankind
- Add an enormous side of suffering

Death may occur regularly in Bleach or Dragonball... but unlike D.Gray-man, it doesn't occur in practically every episode. After all, when you see one "Akuma" you know that at least two lives have been expended for its creation. Not only that, but where there is an Akuma, there certainly will follow more deaths since Akuma were biologically created to kill without reason.


D.Gray-man really began to grow on me after a couple episodes. The storyline is extremely unrealistic, and sometimes even if suspending disbelief, the actions of many of the characters are a little unrealistic as well. Some actions contradict others, and some actions warrant confusion and inquiry.

But as a whole, I was able to do what I couldn't do with Bleach. I watched the entire series of D.Gray-man. And this has nothing to do with the fact that one is now finished and the other is still ongoing. I gave up on Bleach long before I could make it into the third story arc-- when the rescue team saved Rukia and settled the little shinigami debacle, the entire series lost it's appeal to me.

D.Gray-man, however, I can safely say, was able to hold my attention for seventy-episodes straight until I ran out of episodes to watch and could only sit in wait for the next available release.

It's very safe to say that I'm going to miss those weekly releases of D.Gray-man now that it's over.


The ending episode of D.Gray-man does two things:

Firstly, it allows us to watch one last fight between exorcists and akuma by finishing off the battle between Lenalee, Allen, and Level Four-kun... as well as incorporating the late-comer generals. This was quite the fun battle, but it really should have ended when Allen's left-arm sword was pierced into the Level Four Akuma's torso.

Allen-kun and Lenalee do make a pretty good combo. I'm going to miss seeing the kickass Lenalee now that she's finally recovered and gotten stronger.
Any reasons that Cross Marian has can NEVER be good. So don't ask... Really. Don't. O.o
Things aren't that easy huh?

The second half of the episode wraps up the series with the idea that the war between the Dark Order and the Millenium Earl will continue to rage on even as the anime ends. Lenalee's Innocense displayed an evolution from equip-type to what Komui terms crystal-type, and Allen has been able to fully use 100+ percent synch of his own anti-akuma weapon.

Cross Marian is returning to the Order's head honcho base for further discussion, and the Bookman duet are expecting more history to be recorded of this time period.

The headquarters on top of scary black mountain is now going through a process of moving after being completely and utterly demolished by Level Four-kun, and I have a feeling that the head honcho guy, Lvellie is still not satisfied with how things are run at headquarters by Komui. Krory is finally awake since his almost demise in the ark after the Noah twins pretty much puree him.


Everything at the Order will be heading back into a normal direction. But deaths have occured and friends and family were lost to the cause. This is what happens in war, but one cannot help but feel a little aghast at how fragile all of these people we watched throughout the storyline are.

There is a lot of tension between the Order, the exorcists, and the Lvellie but none of this will ever be settled unless one continues to follow the manga, or the producers decide that fans deserve a second chance at bringing the ratings up.

All in all, I'm quite disappointed at the sudden ending even if it was a good wrap-up. Lenalee has just become her kickass self all over again, Allen is getting stronger and stronger, and my precious Lavi and Yu are no longer going to grace me with their uber-bishie presences. I'm going to miss it all seriously.



It's interesting that they get their third change in uniform at the very end of the anime series. They look pretty good though. And Lenalee is even growing her hair back out-- so pretty.
But I guess everything has to come to an end at some point in time. I just hadn't imagined it would have come so quickly when all of those other ongoing shounen anime are still progressing in the 200+ or 300+ episodes.


***

In upcoming news, I intend to return to the "old anime" area and maybe pick up another popular shounen anime in the form of Rurouni Kenshin. And along with this shounen anime, there's no reason why I can't pick up a shoujo anime either-- the shoujo of all shoujo and the originator of all reverse harems, Fushigi Yugi. There has to be something good about these two or else they wouldn't have been so popular. I'm ready to brave them and see just what was so great about them.

As for any other anime, I may pick up Gintama as a replace ment for D.Gray-man in order to fulfill my Suzuken-sama quota. Boy am I going to miss the uber-bishie adorableness that is Lavi at his cheerful best. Suzuken did wonderful and I'll miss being able to hear his voice as Lavi.


Now to look forward to whatever else Suzuken will become a part of in the future, and maybe he'll be able to work with his friend Takahiro-san as well as associate Kobayashi Sanae (Allen-kun).

first impression: Nanaco Robin (manga)

So I worship the ground that Nakahara Aya-sensei walks on because I love her works and all. In fact, I even did a whole spotlight on her as the very first for this blog. Ever since, I've gotten my hands on all of the manga by her that I could, and while I haven't really written my thoughts on the ones I've read, I will in the near future.

Here today, however, is a current series by Nakahara-sensei which has one volume out so far (two chapters available to me in English) and hopefully more to come soon.

The story sets up the first chapter with Nako crashing a wedding and taking away the groom. It's quite the exciting opening for any story and we later find out that she has crashed this wedding not for her sake, but for her sister's sake. Because the marriage was arranged and her sister and the groom are in love, she helps them elope. Unfortunately, the younger, delinquent brother of the groom seems to have lost a place to live, she realizes that she is responsible for this and so her family takes him in wholeheartedly.

The premise of the story is a very good one with lots of potential. Seeing as how it's a romantic shoujo comedy, there are so, so many possibilities at hand with the male protagonist moving in with the female protagonists.

Also a part of the already known plot is that the little brother, Konatsu, is quite the "misunderstood" delinquent -- another one of those "bad boys with a heart of plate gold" types who can be nice sometimes even though he seems really rought. We find out as well that Nako had been in love with the man she helped to bring her sister together with and is currently recovering from that lost love.

The first chapter alone ends with the entire series' set up. Konatsu moves in with Nako's family, we meet all of the younger siblings within her family, we meet Nako's friends, and we also establish a first impression based relationship between Konatsu and Nako which is close to the classic "I don't even want to be in the same room as him/her" type.

Much has occurred within the second chapter including meeting Konatsu-kun's "best friend", and there is still more to come, I'm sure.

The personalities are still a little hard to distinguish, but Nako-chan is quite the strong-type female character as she can easily punch the living daylights out of Konatsu-kun. Konatsu is being an extreme brat, but he has his reasons, though that does no mean I will keep my self from throttling him. I love Nako's best friends, especially Bu-chan. Her siblings are interesting creatures too and I look forward to seeing all the comedic antics they provide.

This will definitely be a good series and wouldn't be surprised if it becomes popular in the future as it progresses. There are so many characters to work off of and the relations between the family and others (the customers who frequent Nako-chan's family store) seem to have good dynamics.

As far as my interest is concerned, I am completely looking forward to reading more of this series as it comes out by chapter. I love Nakahara-sensei's work and wouldn't miss any of it.

news: randomness and a holiday

For this one week, the banner and layout of anicabyss will be celebrating Halloween with the rest of the world. And what better way to do so than with Sunako-chan and her morbid personality.

Look forward to the Halloween special post which will not really be THAT special, but will detail everyone's favorite dark arts, guts and horror glory SD girl, Nakahara Sunako. With the posting of thought over Yamato Nadeshiko Shichi Henge, the third month of anicabyss's run will have passed.

Planned for the rest of the week includes at least two other posts.

Following in the next week, I plan on reinstating the Skip Beat! banner for another few weeks of glory (or maybe even for as long as the series runs) until I can figure out another new banner to consistently change as according to my mood.

When November approaches, pending my busy work schedule, I will once again share with all what my plans are for the month. This is a new thing that I'm doing which will at least, hopefully, help myself maintain a more scheduled updating cycle as I have already chosen a few manga and anime to write about for next month.

Once again, here's hoping that soon more than just writing thoughts and first impressions about anime will become available on this blog.

spotlight: Kyoko-sama's dark magic... or just a favorite pasttime.

In keeping with the broadcast of Skip Beat!'s anime adaptation as well as my love for the almighty Kyoko-sama and her wild, extraordinary, wonderful, demonic personality, this month I would like to make mention of a particular item that I'm sure all Skip Beat! fans want a piece of.

In Volume 2, Act 15 of the manga, we are introduced to the infamous Ren and Sho voodoo dolls -- handmade by Kyoko and all accessories come separately.


As a part of her grudge at its best, Kyoko is extremely focused on doing whatever it is she can to take down the two men she finds that she scorns the most in her life. While Ren eventually becomes a respected senpai as an actor and as a person to her, there is no doubt that Kyoko had harbored no good will towards him in the beginning. As for Sho, there is no need to emphasize the hatred seething beneath Kyoko's determination to beat the man at what he does best.

Not only are posters tacked up in her room of the two men (size according to her level of hatred) but Kyoko has presented to the fans her very own handmade voodoo dolls. In essence, these are merely a form of hobby she does to relieve stress when she's caught in a corner.

In Volume 1, Act 3, page 16 of the manga -- yes, I am down to the detail -- we first see Kyoko sewing her first voodoo doll after witnessing the beauty of all the other auditioners for the talent section of LME. (Also see above for anime adaptation scene.) Because of stress, she pulls her borrowed sewing kit out and begins to make a voodoo doll, muttering something to the extent of needing someone's strand of hair for the thing to work. It is because of this that Kanae mistakens her for the "lost" Maria's mother and throws the child mercilessly at her. And it is because of this that Kyoko gets to make her first impression on the equally morbid and twisted young child.


In Volume 3, Act 16, as a ploy to "lure" Maria, the problem child and Takarada Lory's granddaughter out in order to help with a slight issue in the acting section of LME, the Kyoko handmade voodoo dolls are employed. It is here that we are introduced to the "Ren scared stiff of Kyoko" doll, the "Ren surrendering to Kyoko" doll, and the "Sho crying to Kyoko to admit his crimes" doll. There are many others, but either I've missed them or they have not made their debut.


Nonetheless, it is quite a wonder that Kyoko could do so much with just pictures and cheap fabrics and materials -- since she has no money. On top of that, the way in which she so carefully details each outfit on the dolls is extremely amazing to anyone who sees them. To Kyoko, this is just a way to relieve her stress and present her superiority versus Ren and Sho. She has absolutely no idea how strange or incredible it is that she could even get the fabric and the design of the dolls' clothes so exact.


As the story progresses, Kyoko rarely pulls out the voodoo dolls for anything other than to talk to them or pretend that they are talking to her. Especially with the Ren doll, as she grows to respect him more and more, she often pulls out a submissive Ren doll just for the purpose of imagining what he would say to her during certain situations. Sadly, Kyoko is a very good judge of character during the present story line, because she is really good at knowing what it is that Ren would say to her and usually she's right.

The dolls are an essential part of the storyline, not only because I think they're kind of cool, but they bring to Kyoko a very good ally in her plight.


Takarada Maria is the granddaughter of the president of LME and until she met Kyoko she felt that she could never trust adults at all. Kyoko straight forwardly treated Maria like she would treat anyone else, not mattering that Maria is just a child and definitely not mattering that Maria is the granddaughter of the company president.

Sharing a love for the "dark arts" in the doll's items, Maria easily showed herself upon seeing all the Ren dolls, praising them for their attention to detail. She then gets into a deep discussion with Kyoko about the different types of dolls that can be used and reveals that she's been trying to make Ren fall in love with her with various types of dolls.

Kyoko, of course, uses her dolls for the sake of cursing Ren and Sho. On a side note, it mentions in one scene of the manga that Kyoko will work on her dolls whenever she is feeling particularly stressed.

Handcrafted wonderfully, I'm sure everyone would love to have a submussive Ren or Sho doll. I'm almost tempted to google such items to see if any company has decided to manufacture these dolls. I'm sure a lot of fans would do the same.

So why are the voodoo dolls created by Kyoko-sama the spotlight for October? There are a plethora of reasons.

Kyoko has too many traits about her that I want to talk about from her personality to all her little crazy, quirky actions. If I wanted to do a spotlight on her, it would take a long time to accumulate all of her qualities on paper. And also, I want to leave all of that for a feature piece in the future. Make no mistake, I would probably do a spotlight on Kyoko and there is a possibility that I would do it next month or the month after. I love this girl a lot just because of how strong and innocent she can be.

But I ran out of time because the end of the month is drawing near and I really couldn't think of a good spotlight for this month. And then I decided on writing one over a particular item in a manga or anime and the first thing I thought of that stood out were the dolls.

A wonderful idea if I may say so myself. And along the way, it is October and Halloween is coming up soon. While voodoo dolls cannot be counted as items for the holiday, they are nonetheless something associated with the dark arts, which in turn can be associated with Halloween. Good twist, no?

Anyway, of all the quirky Kyoko habits, I found this one to be one of interest. Just the amount of work and detail that go into making her dolls is a wonderful feat. I often tell myself that Mogami Kyoko is not as simple as she always seems. There is just so much to this girl and Moko-san is right to fear her.

As an afterthough, I look forward to seeing the actual dolls in animation soon.

*All photo's credited to Skip Beat! and its creator Nakamura Yoshiki.
*Anime screenshot taken from Skip Beat!'s second episode.

thoughts: Skip Beat! (anime) -- the audition and the significant failure

Hehe, I like this picture of her.

Episode 2: Banquet of Shivering
Episode 3: Missing Feelings; An Emotion She Lacks

I'm not fond of blogging anime by episode just because I'm a lazy person. I like reading others blog about anime by episode, but only after I've already seen that particular episode because blogs always give away a basic summary of the episode's direction. That, and I like to be able to have my own first hand impressions from watching the anime itself rather than reading a rough summary about it and then being ready for possible surprises, sad scenes, comedic scenes, and stuff like that.

Here right now, however, I wanted to mention my thoughts on these two episodes of Skip Beat!, though more notably episode 3 because of how symbolic it is for the rest of the storyline. In truth, episode 2 was nothing special because it felt more like a transition stage where Kyoko goes from ordinary girl to "some girl doing what she can to get into showbiz for the sake of revenge."

SA-WA-RA-san... don't look directly into her eyes...
Episode 2 was really just a place for dear Kyoko-sama to display her demonic side to the fullest. Yea, this is the one where she literally haunts poor Sawara-san and his family until he gives her a chance in the entertainment industry. It's an episode full of lolz and one must give props to Sawara-san for enduring as long as he did and for caving in and letting Kyoko do as she pleased rather than calling the cops and having her arrested for disturbing the peace-- in which case the girl would probably still find a way to come back and haunt him.

Ready for action!
Probably not the best impression to be giving... or demonic aura.
Episode 3 begins with the infamous newcomer auditions wherein Kyoko will try to hit it off in the entertainment world and where Kyoko gains a good impression towards the president of LME. As many of us who read the Skip Beat! manga already know, Kyoko's talent presentation is out of the ordinary and her shortcomings earn her no spot in the further audition as she is booted out almost too quickly.

It is because of this audition, however, that Kyoko finally finds herself realizing that she is pathetic for revolving so much around Shotaro, and yet even then she cannot help it. Kyoko had spent her entire life living for the sake of Shotaro to the point where no matter what she did, it was always for Shotaro and no one else, not even herself or for others who might care.

To make a long point shorter, Kyoko realizes that because of her past with Shotaro as well as her history with her mother, she has lost the will and the ability to love-- period. It isn't a romantic love that she has lost because of Shotaro, but it is the ability to care for or let other care for her at all.

Because of her mother leaving her when she was young, Kyoko has placed all of her time and energy in Shotaro because she whole-heartedly believed that Sho would be her prince for life and lover her forever. And then not long ago (refer to episode one) Shotaro broke her heart without remorse. And to this day, even though he is not around her, he still manages to taunt her in her reveries.

It's a sad, sad situation to realize something so depressing and so pathetic about oneself.

Kyoko failed the auditions because she lacked the ability to love. And because she lacked the ability to love, she feels as if she's lost the ability to do anything else anymore. And thus she's given up on her pursuit of the entertainment industry, which would mean that she's given up on her revenge for Sho, no matter how much she still resents the bastard.


I'm happy to learn that I'm not the only person who was moved by Kyoko's scene in which she realizes how pathetic she is, how she had lost her important human feeling of love, and how she'd wasted her entire life being Shotaro's slave girl. While in the manga I hadn't been too moved as I was this time seeing the scene in animation and hearing the devestating sobs coming from Kyoko, I still recognized it as a significant turning point in Kyoko's journey.

This was an extremely effecting scene and while not moved to cry right alongside Kyoko, I could almost feel her sadness even by simply watching her cry like that.
Because now that she's realized what is wrong with her, Kyoko, with enough willpower and determination, which she has, will be able to pinpoint it over and over again and learn how to overcome this hurdle.

In following episodes, assuming they continue to follow closely to the manga as they have done so far, we get to see this new and revived Kyoko breaking down all those walls one after another. Each time a situation presents itself to brutally assault her and her emotions, she will fall, but she will also rise back to the occasion and take on the challenge once again without fail.

This is what makes Mogami Kyoko such an idealistic girl and such a counter heroine for all those weepy romance shoujo manga heroine who's lives depend on whether or not their designated hero will fall in love with them too. Don't get me wrong; I like a good cheesy romance oneshot as well as the next shoujo manga fangirl. I just also like to read or view some stories with depth and substance sometimes as well.

Skip Beat! is definitely a unique manga in the class of shoujo demographic. While I too feel like the romance in the manga is devloping rather slowly like others, I also feel like I wouldn't change the pacing and the storyline for any reason.

Getting back on topic, episode 3 was a rather significant plot device which will later on be emphasized due to Kyoko's undying determination for the things that she does. What makes Kyoko such a unique person is her ability to continue standing right back up everytime she happens to fall, and no matter how hard and how far she falls. That and her innocent, yet tainted nature-- a unlikely combination in one person, but not impossible as seen by Kyoko's existence in the fictional world.

Anyway, as per usual, I look forward to seeing more of the anime adaptation. I look forward to continuing to read the manga. These first three episodes have so far covered the entirety of Volume One of the manga and so at this rate I hope that my favorite parts of the manga will be able to reach the animation.

thoughts: PxP (manga)

Creator: Yoshizumi Wataru
Genre: romance, shoujo, school life, mystery
Volumes/Chapters: 1 Volume (3 chapters);
also includes the oneshot story Baby It's You



And so it goes, this is the second Yoshizumi Wataru manga I'll be posting about. As I'd mentioned before, I've become a fan, I've read a few of her works and there are two others that I want to read although they are quite unavailable to me.

PxP is a short, but interesting and exciting story about a thief by the name of "P" who steals trivial things for the price of 300,000 yen. Nothing that "P" steals is ever expensive and only ever valuable to the person who wants it. "P" is so named because of the calling card left behind in place of everything that has been stolen.

Because of "P" the student council is bringing up the issue of stopping the infamous thief. Included in this student council are the President Tomotoshi Daiki and the Vice President Himeno Ruri. The suspected student who could be "P", the president claims, has to be none other than Suki Yuuma, a special student within the school who not only has his own lab, but is introverted and very strange. Also his nickname is "Professor" so the thief's name "P" corresponds with the first letter of "Professor."

What we learn early on in the manga, however, is that President Tomotoshi is only half correct.

"P" turns out to be the "P" from "Princess" which is English for "Hime" or Himeno Ruri's nickname. So while the student council is trying to investigate the matter of "P", Himeno Ruri is secretly creating more havoc behind their backs. Suki Yuuma, of course, is her most precious partner in crime as he uses his brains and networking to help Ruri with her "work."

This manga was quite interesting as it was fast paced with a small helping of light mystery added onto the side. Three significant items are asked to be stolen by "P" throughout the three chapters and it is interesting to have three significant back stories to each item.

The first was a teddy bear from the infirmary, the second a Junk Jungle concert ticket stub, and the last was *gasp* a Norman Rockwell Museum pen that only Suki Yuuma owns.

The non-mystery portions of the story were very lovely to follow as well. While Ruri and Yuuma work together, Ruri openly expresses her love for him, but Yuuma seems rather reluctant to admit his own feelings to her. The reasoning for this is readily revealed after she finally confronts him about his ex-girlfriend from back in his middle school years.

PxP is a fun story to follow and I really wouldn't mind if Yoshizumi-sensei continued on with more interesting plot devices for our infamous "P" to partake in. I also wouldn't mind seeing how the relationshpi between Ruri and Yuuma turn out and whether they continue to go about this line of "work." But alas, when I really think about it, PxP was really made to be a short three chapter story anyway and I like it the way it is.

That aside, I also point out that as far as bishounen are concerned, Suki Yuuma has been added onto my list of Very Good Looking Glasses Characters-- My Beloved Megane-bishie Guys. As is typical of Yoshizumi-sensei's characters, he is quite good looking. Slap on a pair of glasses and he is absolutely irresistable.

I'm moe for him. This could be bad.

thoughts: Natsume Yuujinchou (anime)

Since the very beginning, I know that I've been drawn to the majestic beauty of Natsume Yuujinchou. From the artwork to the animation, and most importantly to the characters and the storyline, everything about Natsume Yuujinchou has held my attention long enough for me to feel awestruck by just how gorgeous this anime can be.



As stated in my first impression post of Natsume Yuujinchou, I was drawn to the anime via the poster. It was a very pretty poster. The summary did nothing for me, really but let me know what was going on.

In essence, what actually kept me watching the entire series from beginning to end would have to be the feeling I get from viewing Natsume Yuujinchou as a whole. It's almost like reading about a majestic legend, or some form of old folklore. The mood is relaxing, the music and artwork help with that, and altogether, without being over exaggerated or flashy, Natsume Yuujinchou delivers a very fascinating, amazing story for the viewers.

This may be a horrible comparison, but I get a slight feel for Hayao Miyazaki when I see the stories of each episode unfolding and hear the music playing softly in the background.

Like works by Hayao Miyazaki, Natsume Yuujinchou sort of plays on images and feelings more than the actual action of each storyline of each episode. And also more so than words.

The storyline is cliched, but the way it's executed is simple and soothing for a supernatural anime. The characters, though limited, are interesting to follow. Natusme Takashi and Nyanko-sensei are really the only two that we get to follow throughout the series and we learn a lot about the two as the thirteen episodes progress. Natsume Reiko, Takashi's grandmother with the same ability as Takashi, is mentioned infrequently, and a plethora of ayakashi are presented each episode along with their sentimental stories.


With this anime, I hate that I can't seem to relay the exact feeling I have of each and every episode. But I can still try to describe how I feel...

It's almost like watching the sun rising-- something phenomenal, yet at the same time so natural is taking place. The scenery is wonderful, but at the same time it's not loud or flashy. It is simply one simple event. But it's wonderful nonetheless.

This is Natsume Yuujinchou in a nutshell.

Many would not be drawn to it because it is so quiet and simple as an anime filed under fantasy. But in essence, this anime is more so a slice of life drama hidden within all the beautiful supernatural phenomena it boasts as it's central theme.

Up to the ending of the thirteen episodes, the only conflicts we encounter are very realistic and everyday normal, even for a storyline that plays on a boy being able to interact with supernatural beings where no one else can.

As others have stated before, Natsume Yuujinchou delivers its central theme much differently than many would expect. Natsume Takashi is living in a life where he is the only person who can see youkai, ayakashi, ghosts, spirits, and the like. No one believes him because of what he can see and instead he is shunned by his family and tossed around until he is finally taken in by Touko-san wherein he does what he can to keep others from suspecting what he can do.

For Takashi-kun, it is hard for him to explain his strange behavior, and at the same time, his personality does what can be done to remain a good person, which is what Natsume Takashi is from beginning to end. Even though he may refuse to help certain youkai, he cannot help but to butt his nose into their business when he feels he needs to help.

After all, as he reasons, he can see them after all. There's no reason for him to pretend that they don't exist.

Overall, Natsume Takashi is a very kind person.

But going through life seeing youkai does not mean a walk in the park. Others who don't see these spirits and demons have nothing to fear because of such. Because as the saying goes, when you look at someone or something, there is always the possibility that he, she, or it will look right back at you. In Takashi-kun's case, because he can see youkai and youkai can see all humans, when it is known that he can see youkai, they don't simply just look right back at him. They also act, as is revealed by all the dangerous youkai who make a habit of chasing Takashi around.


Up to this point, I've made no mention of the second central theme in this series. The Book of Friends is the item that brings Takashi and Nyanko-sensei together, as well as propels the series' beginning. The Book of Friends is a small pamphlet of papers recording the names of various youkai, big and small, calm and dangerous. This book was passed onto Natsume Takashi by his grandmother, Reiko who had made a habit of collecting these contracted names assumingly because she was lonely and wanted friends.

But as the anime progresses, less is mentioned about Reiko and her Book of Friends. Instead, the producers seem to have forgotten about the book altogether and decided to focus more on other issues of Takashi surrounding his ability to interact with youkai... as well as his long, lonely childhood past.

Can you only imagine...?
The anime itself seems adamant on featuring Takashi-kun's morbid life from day one of being able to see youkai and being shunned from his family because of the "strange things" he keeps saying. A lot of the latter episodes of this series pays strict attention to the worries and the emotional turmoil that kind and caring Natsume Takashi has had to endure from past to present.

His most important worry being whether or not he can continue to remain with Touko-san in his current home, and whether or not he will ever find a place he can feel like he belongs in.

Takashi was lonely and abandoned since childhood, as was his grandmother. His grandmother created a Book of Friends for her own sake, and from the beginning of the series, Takashi is dead set on scrapping his grandmother's Book of Friends by returning all the names contracted. His only few human friends are merely background noise, and when he meets others who know of his plight, nothing seems to be as he had expected.

This was probably not the kind of "I can see them too" friendship that Takashi-kun was looking for.
Tanuma is a boy who is curious about Takashi because he can see the shadows of youkai, though not the actual youkai itself. Natori-san is an older man who can see and interact with youkai, had the same horrible and lonely childhood as Takashi, but who takes action against youkai in a way Takashi would have never even dared do.

Gee, I wonder why Takashi's not scared.
Yea... that would be why.
The only true close friend Takashi could probably boast would be his fat cat, Nyanko-sensei (also known as Madara in his true form) who gets a beating from Takashi regularly. The relationship between this youkai and Takashi is hard to consume in that how they act towards each other seems rather unbelievable... at least until you realize that the cat is always going to be on Takashi's side.

And the persistence of Nyanko/Madara...
What? Gave up already? It was only a left knuckle to the head.
After all, when transformed into his true body as Madara, I really doubt that it would be extremely hard for him to simply pluck Takashi off the ground and eat him. Had Nyanko-sensei been a little less caring for Takashi, there would probably be no story to tell.

What youkai as powerful as Madara would allow some mere human to beat him over the head all the time?

I think that's relative to how much the fat cat actually wants the book. But this scene is so sweet and beautiful.
Everything that is part of the true episodic adventure of Natsume Yuujinchou comes around to develop the character of Natsume Takashi and his relationship with both the youkai world and the human world. And as his own story is told from childhood, you feel with him and you feel for him.

To be able to be such a kind and calm young boy after all that's happened to him... it's a little hard for a viewer to grasp. But in the end, I am personally glad that Takashi-kun is the way that he is. He brings much needed optimism to such a morbid fate and at the same time he conveys the reality of his own fate.

Natsume Yuujinchou is a success because of the way in which it ties together the theme with the main protagonist. The series itself is a distinct and grade-A expample of, "So you can see youkai? Well this is the reality of what your situation would be like if this were a possible occurence." And it has little to do with action or comedy-- this series is pure slice of life drama.

The drama, the angst, the action, and even the comedy is all natural rather than artistically timed for best effect. This is real life at its best concerning a boy who can see things that others cannot. This is not a horror or thriller, and this is not forced comedic timing nor is it forced action and adventure just because supernatural beings are a part of the scenario.

As I already stated, Natsume Yuujinchou plays on the emotions of the viewer and relates to us everything that is Natsume Takashi.

An eager, joyful childish hope.
It wasn't until episode three when we see a flashback of Takashi as a child that I realized just how emotionally damaged Takashi could have become. Realizing that he is the only one who sees strange things, realizing that no one believes him, and realizing just how lonely he is becomes a tremendous, sad stone sitting on his shoulders. When he meets a nice onee-san who claims that she "can see them too," little Takashi is thrilled because he no longer has to be alone anymore. But then the reality struck when he was asked what he was doing all by himself at the park.

Realization.
I could feel my own breath catching at the realization of what Takashi's friendly onee-san really is. At that point in time, with the color of the setting sun showing in animation as well as the expressive look on little Takashi's face, I probably couldn't feel what the child was feeling, but I knew just how surprising and saddening the situation had become.

Sense of loss and betrayal.
Once again, Natsume Takashi was all alone. It was absolutely a wonder that Takashi grew up to be the kind and caring kid he is.


A very endearing friendship between youkai and human. Tsubame thanks Takashi-kun for his efforts in making her wish come true.
This could have turned out into some other type of series if Takashi-kun had some sense of romanticism in him. But no, we remain pure and innocent.
There are a lot of very touching moments in all of Natsume Yuujinchou, many of which involve the simple guest appearances of many youkai per episode.

Some other unfortunate soul falls victim to a forbidden romance. This was one of the saddest scenes in the entire anime. To have fallen for someone and then never be able to see her again. And for Hotaru to be able to see, but not let him know that she was always there and shares his feelings as well...
No matter how, each story interrelates with Takashi's own feelings of self-worth, of loneliness, of understanding, and of his relationship towards the youkai and his human friends and family. Aside from that, we also get to see a slight bridge in the similarities and differences between youkai and humans, which is yet another insight of Natsume Yuujinchou that is rarely brought up in more action/adventure-packed supernatural series.

We are brought to the attention of various questions that have always plagued Takashi since the beginning of time, and one by one, the questions are asked, but the answer is so vague that there's no way that even Takashi himself could answer no matter how thoroughly he's thought them over.

How does he view the youkai in his life? Who else in this world has the same ability as himself? Is there really that big of a difference between youkai and human? Will he see youkai for the rest of his life, or will he lose that ability at some point in time? Why is it that only he can see these youkai?

So many questions and no answers are given. Instead, the viewers are indirectly given the chance to think over these issues. Because as far as I can tell, Natsume Yuujinchou focuses on the here and now, taking from the past in slight, and only speculating about the future that is to come.

A good way to wrap up the first season with fireworks. Sadly, Takashi-kun sees none of it...
There are always setbacks for being able to see things other people cannot.
I thoroughly enjoyed this series as I had predicted in my first impressions post. I pegged it as a Wagaya no Oinari-sama, but much better. I don't know how to comment on that assumption, because both series are on completely different levels of supernatural awe. While I believe that Natsume Yuujinchou is indeed better than Wagaya-- and better than a lot of other anime I've seen recently-- there is no way to compare.

Natsume Yuujinchou is in a league of it's own.

The ending wraps up quite well by bringing back a few of previous episode guest youkai and human, but somehow, it definitely is missing something. It feels as if it's just another episode and that it hasn't really ended yet. Like others have mentioned, it's like a recap or an intermission curtain call for all the viewers to reminisce in the reappearances of some of the series' cameo youkai and human.

And then what's this, Natori-san and some secret gathering? A scene that is shown only briefly but left to the wonderings of the viewers.

Takashi and his friend Tanuma spend a good portion of the ending episode searching for Takashi's "fat cat" who is held hostage by Takashi's classmate Sasada in an attempt to keep him around her for her amusement. But overall, the ending had the same soothing feel as the rest of the series.

*

Season two of Natsume has been announced to begin broadcast in January of 2009, and so we know for a fact that the series has yet to reach its end. I'm glad, because although there is very little to keep you hanging at the edge of your seat to look forward to, Natsume is a good enough anime series to keep you hooked as each episode rolls out slowly.

Though without action or adventure or over the top comedy or exaggerated storytelling, Natsume Yuujinchou is definitely a must see anime. Not bad are the visual affects, the background music, the theme music, and even the seiyuu of each character.

Natsume Takashi's seiyuu Kamiya Hiroshi is not familiar to me, but he does an excellent job portraying Natsume's calmness and his kind demeanor. Included in the voice cast role call are Inoue Kazuhiko as Nyanko-sensei and his youkai form Madara, and Kobayashi Sanae in her few appearances as Reiko.

If I were to describe Natsume Yuujinchou to someone, I don't think I would ever be able to fully give an appreciable account of the anime as a whole. Maybe one of these days I'll just go through and give more thoughts about various parts of Natsume Yuujinchou that are notable, but then, that'll be quite a lot of different posts.